Experimental theatre is a general term for various movements in Western theatre that began in the late 19th century with Alfred Jarry and his Ubu plays as a rejection of both the age in particular and, in general, the dominant ways of writing and producing plays. The term has shifted over time as the mainstream theatre world has adopted many forms that were once considered radical. It is used more or less interchangeably with the term avant-garde theatre. Experimental theatre is what it is, namely trying something new.
Like other forms of the avant garde, it was created as a response to a perceived general cultural crisis. Despite different political and formal approaches, all avant-garde theatre opposes bourgeois theatre. It tries to introduce a different use of language and the body to change the mode of perception and to create a new, more active relation with the audience.
Read more about Experimental Theatre: Relationships To Audience, Social Contexts, Methods of Creation, Physical Effects
Famous quotes containing the words experimental and/or theatre:
“If we take in our hand any volume; of divinity or school metaphysics, for instance; let us ask, Does it contain any abstract reasoning concerning quantity or number? No. Does it contain any experimental reasoning, concerning matter of fact and existence? No. Commit it then to flames: for it can contain nothing but sophistry and illusion.”
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