In Popular Culture
Like all of the major clubs in England, Everton are referenced in many films, books, television programmes, songs and plays such as Boys from the Blackstuff, The Rutles' "All You Need Is Cash", Harry Enfield's "The Scousers" and a 1979 television advertisement for ITV's Oracle teletext service.
The 1997 television film The Fix dramatised the true story of a match fixing scandal in which the club's recent newly signed wing half Tony Kay, played by Jason Isaacs, is implicated in having helped to throw a match between his previous club Sheffield Wednesday and Ipswich Town. The majority of the story is set during Everton's 1962/3 League Championship winning season with then manager Harry Catterick played by Colin Welland.
First shown in 1969, the television movie The Golden Vision, directed by Ken Loach, combined improvised drama with documentary footage to tell of a group of Everton fans for whom the main purpose of life, following the team, is interrupted by such inconveniences as work and weddings. The film's title character, celebrated forward Alex Young, was one of several who appeared as themselves.
The club have entered the UK pop charts on four occasions under different titles during the 1980s and 90s when many clubs released a song to mark their reaching the FA Cup Final. "The Boys in Blue", released in 1984, peaked at number 82. The following year the club scored their biggest hit when "Here We Go" peaked at 14. In 1986 the club released "Everybody's Cheering The Blues" which reached number 83. "All Together Now", a reworking of a song by Merseyside band The Farm, was released for the 1995 FA Cup Final. When the club next reached the 2009 FA Cup Final, the tradition had passed into history and no song was released.
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Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
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“The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.”
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