Editorial Style
The newspaper's editor is Sarah Sands who replaced Geordie Greig following his departure to the Mail on Sunday in March 2012. Veronica Wadley was the newspaper's editor between 2002 and 2009. Max Hastings was editor from 1996 until he retired in 2002.
Although, under Associated Newspaper's ownership, the Standard shared the same Editor in Chief, Paul Dacre, as the Daily Mail, it maintained a quite different style from the latter's "middle England" outlook, in order to appeal to its local, more cosmopolitan readership.
The Evening Standard, although a regional newspaper for London, also covers national and international news, though with an emphasis on London-centred news (especially in its features pages), covering building developments, property prices, traffic schemes, politics, the congestion charge and, in the Londoner's Diary page, gossip on the social scene. It also occasionally runs campaigns centred around local issues that national newspapers do not cover in detail.
It has a tradition of providing quality arts coverage, and is noted for its visual art critic, Brian Sewell, more recently also a television personality, who is renowned for his outspoken dismissal of Britart and the Turner Prize. This accords with the general readership, but was so unpopular with leading figures in the art world that they signed a letter demanding his dismissal (he is still there).
Its headline writers have been accused of having a "doom-and-gloom" agenda.
Read more about this topic: Evening Standard
Famous quotes containing the words editorial and/or style:
“I have been in the editorial business going on fourteen years, and it is the first time I ever heard of a man’s having to know anything in order to edit a newspaper.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)