Marketing The Image
Knievel sought to make more money from his image. He was no longer satisfied with just receiving free motorcycles to jump with. Knievel wanted to be paid to use and promote a company's brand of motorcycles. After Triumph, the motorcycle company he had been jumping with, refused to meet his demands, Knievel started to propose the idea to other manufacturers. American Eagle Motorcycles was the first company to sign Knievel to an endorsement deal. At approximately the same time, Fanfare Films started production of Evel Knievel, a 1971 movie starring George Hamilton as Knievel. There have been two other movies made about Evel: A television pilot made in 1974 starring Sam Elliott, and made-for-TV film in 2004 starring George Eads. Also in 1974, Evel and Amherst Records released the self title album "Evel Knievel" which included a press conference, an anti-drug talk for his young fans, and four other tracks.
Knievel kept up his pursuit of getting the United States government to allow him to jump the Grand Canyon. To push his case, he hired famed San Francisco defense attorney Melvin Belli to fight the legal battle in obtaining government permission. ABC's Wide World of Sports started showing Knievel's jumps on television regularly. His popularity, especially with young boys, was ever increasing. He became a hero to a generation of young boys, many of whom were injured trying to imitate his stunts. A. J. Foyt made Knievel part of his pit crew for the Indianapolis 500 in 1970. Evel Knievel's huge fame caused him to start traveling with a bodyguard, Boots Curtis. Curtis became a long-time friend to Knievel.
Read more about this topic: Evel Knievel
Famous quotes containing the word image:
“Our ego ideal is precious to us because it repairs a loss of our earlier childhood, the loss of our image of self as perfect and whole, the loss of a major portion of our infantile, limitless, ain’t-I-wonderful narcissism which we had to give up in the face of compelling reality. Modified and reshaped into ethical goals and moral standards and a vision of what at our finest we might be, our dream of perfection lives on—our lost narcissism lives on—in our ego ideal.”
—Judith Viorst (20th century)