Works
The Catholic Encyclopedia gives the following: three short letters of Eusebius are printed in Migne, Pat.Lat., XII, 947-54 and X, 713-14. Jerome (Of Famous Men, c. lvi, and Epstle li, n. 2) ascribes to him a Latin translation of a commentary on the Psalms, written originally in Greek by Eusebius of Caesarea; but this work has been lost. There is preserved in the cathedral at Vercelli the Codex Vercellensis, the earliest manuscript of the old Latin Gospels ("Codex a"), which was believed to have been written by Eusebius, thought now scholars tend to doubt it. It was published by Irico (Milan 1748) and Bianchini (Rome, 1749), and is reprinted in Migne, Patrologia Latina XII, 9-948; a new edition was brought out by Belsheim (Christiania, 1894). Krüger (Lucifer, Bischof von Calaris, Leipzig, 1886, 118-30) ascribes to Eusebius a baptismal oration by Caspari (Quellen sur Geschichte des Taufsymbols, Christiania, 1869, II, 132-40). The confession of faith "Des. Trinitate confessio", P.L., XII, 959-968, sometimes ascribed to Eusebius, is spurious.
A modern edition of his writings is found in the 9th volume of Corpus Christianorum - Series Latina.
Read more about this topic: Eusebius Of Vercelli
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“His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
—Henry David Thoreau (1817–1862)
“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
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“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
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