European Theater Of Operations United States Army
The European Theater of Operations, United States Army (ETOUSA) was a United States Army formation which directed U.S. Army operations in parts of Europe from 1942 to 1945. It referred to Army Ground Forces, United States Army Air Forces, and Army Service Forces operations north of Italy and the Mediterranean coast, in the European Theatre of World War II. It was bordered to the south by the North African Theater of Operations, US Army (NATOUSA), which later became the Mediterranean Theater of Operations (MTOUSA).
The term "theater of operations" was defined in the U.S. Army field manuals as "the land and sea areas to be invaded or defended, including areas necessary for administrative activities incident to the military operations". In accordance with the experience of World War I, it was usually conceived of as a large land mass over which continuous operations would take place and was divided into two chief areas-the combat zone, or the area of active fighting, and the Communications Zone, or area required for administration of the theater. As the armies advanced, both these zones and the areas into which they were divided would shift forward to new geographic areas of control.
The "European Theater of Operations, United States Army," as a military command, should not be confused with the European Theatre of World War II which is often defined to include the years before the US entered the war, the Italian campaign, the European Strategic Bombing Campaign, the European Eastern Front, all of the European Western Front in 1944 and 1945, as well and other actions which did not involve the use of American forces.
Read more about European Theater Of Operations United States Army: History, Campaigns and Operations
Famous quotes containing the words european, theater, operations, united, states and/or army:
“I should think the American admiration of five-minute tourists has done more to kill the sacredness of old European beauty and aspiration than multitudes of bombs would have done.”
—D.H. (David Herbert)
“The Miss America contest is ... the most perfectly rendered theater in our culture, for it so perfectly captures what we yearn for: a low-class ritual, a polished restatement of vulgarity, that wants to open the door to high-class respectability by way of plain middle-class anxiety and ambition.”
—Gerald Early (b. 1952)
“Plot, rules, nor even poetry, are not half so great beauties in tragedy or comedy as a just imitation of nature, of character, of the passions and their operations in diversified situations.”
—Horace Walpole (17171797)
“In the United States, it is now possible for a person eighteen years of age, female as well as male, to graduate from high school, college, or university without ever having cared for, or even held, a baby; without ever having comforted or assisted another human being who really needed help. . . . No society can long sustain itself unless its members have learned the sensitivities, motivations, and skills involved in assisting and caring for other human beings.”
—Urie Bronfenbrenner (b. 1917)
“Maybe we were the blind mechanics of disaster, but you dont pin the guilt on the scientists that easily. You might as well pin it on M motherhood.... Every man who ever worked on this thing told you what would happen. The scientists signed petition after petition, but nobody listened. There was a choice. It was build the bombs and use them, or risk that the United States and the Soviet Union and the rest of us would find some way to go on living.”
—John Paxton (19111985)
“The contention that a standing army and navy is the best security of peace is about as logical as the claim that the most peaceful citizen is he who goes about heavily armed. The experience of every-day life fully proves that the armed individual is invariably anxious to try his strength. The same is historically true of governments. Really peaceful countries do not waste life and energy in war preparations, with the result that peace is maintained.”
—Emma Goldman (18691940)