European Theater Of Operations United States Army
The European Theater of Operations, United States Army (ETOUSA) was a United States Army formation which directed U.S. Army operations in parts of Europe from 1942 to 1945. It referred to Army Ground Forces, United States Army Air Forces, and Army Service Forces operations north of Italy and the Mediterranean coast, in the European Theatre of World War II. It was bordered to the south by the North African Theater of Operations, US Army (NATOUSA), which later became the Mediterranean Theater of Operations (MTOUSA).
The term "theater of operations" was defined in the U.S. Army field manuals as "the land and sea areas to be invaded or defended, including areas necessary for administrative activities incident to the military operations". In accordance with the experience of World War I, it was usually conceived of as a large land mass over which continuous operations would take place and was divided into two chief areas-the combat zone, or the area of active fighting, and the Communications Zone, or area required for administration of the theater. As the armies advanced, both these zones and the areas into which they were divided would shift forward to new geographic areas of control.
The "European Theater of Operations, United States Army," as a military command, should not be confused with the European Theatre of World War II which is often defined to include the years before the US entered the war, the Italian campaign, the European Strategic Bombing Campaign, the European Eastern Front, all of the European Western Front in 1944 and 1945, as well and other actions which did not involve the use of American forces.
Read more about European Theater Of Operations United States Army: History, Campaigns and Operations
Famous quotes containing the words states army, european, theater, operations, united, states and/or army:
“I asked myself, “Is it going to prevent me from getting out of here? Is there a risk of death attached to it? Is it permanently disabling? Is it permanently disfiguring? Lastly, is it excruciating?” If it doesn’t fit one of those five categories, then it isn’t important.”
—Rhonda Cornum, United States Army Major. As quoted in Newsweek magazine, “Perspectives” page (July 13, 1992)
“Of course, in the reality of history, the Machiavellian view which glorifies the principle of violence has been able to dominate. Not the compromising conciliatory politics of humaneness, not the Erasmian, but rather the politics of vested power which firmly exploits every opportunity, politics in the sense of the “Principe,” has determined the development of European history ever since.”
—Stefan Zweig (18811942)
“It’s one of the tragic ironies of the theater that only one man in it can count on steady work—the night watchman.”
—Tallulah Bankhead (1903–1968)
“You can’t have operations without screams. Pain and the knife—they’re inseparable.”
—Jean Scott Rogers. Robert Day. Mr. Blount (Frank Pettingell)
“In the United States, though power corrupts, the expectation of power paralyzes.”
—John Kenneth Galbraith (b. 1908)
“fundamentally an organism has conscious mental states if and only if there is something that it is like to be that organism—something it is like for the organism.”
—Thomas Nagel (b. 1938)
“That’s what an army is—a mob; they don’t fight with courage that’s born in them, but with courage that’s borrowed from their mass, and from their officers.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)