Etruscan Painting
The best preserved Etruscan paintings that have survived to modern times are mostly wall frescoes from graves, and mainly from Tarquinia. These are the most important example of pre-Roman figurative art in Italy known to scholars.
The frescoes are created by applying paint on top of fresh plaster, so that when the plaster dries the painting becomes part of the plaster, and consequently an integral part of the wall. Colours were created from ground up stones and minerals of different colours and were then mixed to the paint. Fine brushes were made of animal hair (even the best brushes can be produced with ox hair).
From the mid 4th century BC Chiaroscuro began to be used to portray depth and volume. Sometimes scenes of everyday life are portrayed, but more often traditional mythological scenes. The concept of proportion does not appear in any surviving frescoes and we frequently find portrayals of animals or men out of proportion. One of the best-known Etruscan frescoes is that of Tomb of the Lioness at Tarquinia.
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Famous quotes containing the word painting:
“When I am finishing a picture I hold some God-made object up to it—a rock, a flower, the branch of a tree or my hand—as a kind of final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there’s a clash between the two, it is bad art.”
—Marc Chagall (1889–1985)