Origins
Ethiopian Orthodox Tehadeso churches differentiate themselves from the rest of Protestant churches due to their origin. They believe they are like the original, ancient Orthodox worshipers. However they emphasise the message of the Gospel instead of the ritual-based worship and faith which they believe the Ethiopian Orthodox Tewahedo Church practices. In fact, Orthodox Tehadeso members believe their form of Orthodoxy is the "real Orthodoxy." They don't provide evidence to their claim; however, they explain the relationship between tradition and faith. They suggest their faith is complemented by the Orthodox tradition, but in contrast to the Ethiopian Orthodox Tewahedo Church, tradition does not dictate their faith. Accordingly, they are very strict in their lifestyle shown by their precise obedience to the rules in the Old and New Testaments.
With their members consisting of former traditional Ethiopian Orthodox adherents including orthodox Menokosat and Kasoch (monks and priests), they worship in Orthodox-like buildings and use similar musical instruments. Yet their beliefs resemble that of the different Ethiopian P'ent'ay churches, the Pentecostal and evangelical churches found in the country.
Read more about this topic: Ethiopian Orthodox Tehadeso Church
Famous quotes containing the word origins:
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weeds—and one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)