Musical Career
After two years studying in Boston, in 1882 Nevin moved back to Pittsburgh, where he gave lessons, and saved money enough to take him to Berlin. There he spent the years 1884, 1885, and 1886, placing himself in the hands of Karl Klindworth. Of him Nevin says: "To Herr Klindworth I owe everything that has come to me in my musical life. He was a devoted teacher, and his patience was tireless. His endeavor was not only to develop the student from a musical standpoint, but to enlarge his soul in every way. To do this, he tried to teach one to appreciate and to feel the influence of such great minds of literature as Goethe, Schiller, and Shakespeare. He used to insist that a man does not become a musician by practising so many hours a day at the piano, but by absorbing an influence from all the arts and all the interests of life, from architecture, painting, and even politics."
In 1885, Hans von Bülow incorporated the best four pupils of his friend, Klindworth, into an artist class, which he drilled personally. Nevin was one of the honored four, and appeared at the unique public Zuhören of that year, devoted exclusively to the works of Johannes Brahms, Franz Liszt, and Joachim Raff. Among the forty or fifty studious listeners at these recitals, Frau Cosima Wagner, the violinist Joseph Joachim, and many other celebrities were frequently present.
Nevin returned to America in 1887, and took up his residence in Boston, where he taught and played at occasional concerts.
In 1892 he went to Paris, where he taught singing, and he coached many American and French artists for the operatic stage. In 1893 he moved on to Berlin, where he worked so hard at composition that his health collapsed, and he spent a year in Algiers. The early months of 1895 he spent in concert tours through this country. As Klindworth said of him, "he has a touch that brings tears," and it is in interpretation rather than in bravura that he excels.
Seeking solitude and the right atmosphere for composition, he went to live in Florence, where he composed his suite May in Tuscany (Op. 21). After a year in Venice Nevin made Paris his home for a year, then returned to America, where he remained until his death.
His best-remembered compositions are the piano piece Narcissus from Water Scenes and the songs "The Rosary" and "Mighty Lak' a Rose" (lyrics of the latter by Frank Lebby Stanton).
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