Ethan Frome - Connection To The Author's Life

Connection To The Author's Life

Wharton likely based the story on an accident that she had heard about in 1904 in Lenox, Massachusetts. Five people total were in the actual accident, four girls and one boy. They crashed into a lamppost while sledding down Courthouse Hill in Lenox, Massachusetts. A girl named Hazel Crosby was killed in the accident. Another girl involved in the accident, Kate Spencer, became friends with Wharton while both worked at the Lenox Library and it was from Spencer that Wharton learned of the accident. The story of Ethan Frome had initially begun as a French-language composition that Wharton had to write while studying the language in Paris. It is among the few works by Wharton with a rural setting. Another element that contributes to the story has to do with it being told as frame narrative. The telling of the story is told within another story. The audience is first introduced to the narrator's story of meeting Ethan Frome, and then is told the story of the accident and events surrounding it.

Lenox is also where Wharton had traveled extensively and had come into contact with one of the victims of the accident. Ethan and Mattie cannot escape their dreary life in Starkfield. The connection between the land and the people is a recurring theme of the novel. The narrator is amazed by the harshness of the Starkfield winters and through his experience of the winter he comes to understand the character of the people. In her introduction to the novel, Wharton talks of the "outcropping granite" of New England, the powerful severity of its land and people. This connection between land and people is very much a part of naturalism; the environment is a powerful shaper of man's fate, and the novel represents this relationship by constantly describing the power and cruelty of Starkfield's winter.

Read more about this topic:  Ethan Frome

Famous quotes containing the words connection to the, connection, author and/or life:

    One must always maintain one’s connection to the past and yet ceaselessly pull away from it. To remain in touch with the past requires a love of memory. To remain in touch with the past requires a constant imaginative effort.
    Gaston Bachelard (1884–1962)

    The connection between our knowledge and the abyss of being is still real, and the explication must be not less magnificent.
    Ralph Waldo Emerson (1803–1882)

    That author who draws a character, even though to common view incongruous in its parts, as the flying-squirrel, and, at different periods, as much at variance with itself as the caterpillar is with the butterfly into which it changes, may yet, in so doing, be not false but faithful to facts.
    Herman Melville (1819–1891)

    Death does determine life.... Once life is finished it acquires a sense; up to that point it has not got a sense; its sense is suspended and therefore ambiguous. However, to be sincere I must add that for me death is important only if it is not justified and rationalized by reason. For me death is the maximum of epicness and death.
    Pier Paolo Pasolini (1922–1975)