Criticism
Over the years, Esalen Institute has been the subject of criticism. Generally, the Human Potential Movement has been criticized for espousing an ethic that the inner-self should be freely expressed in order to reach one's true potential. Some people have seen this ethic as an aspect of Esalen's culture. The historian Christopher Lasch claimed that humanistic techniques encourage narcissistic, spiritual materialistic or self-obsessive thoughts and behaviors. These criticisms were examined in a 2002 BBC television series, called The Century of the Self, which included video segments recorded at Esalen. In 1990 a graffiti artist spray painted, "Jive shit for rich white folk," on the entrance to Esalen, highlighting class and race issues. This implied that Esalen courses are too expensive and poor people can't afford to experience their "full human potential". Some think that this is a regression of progress away from true spiritual growth.
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Famous quotes containing the word criticism:
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (1892–1940)
“A friend of mine spoke of books that are dedicated like this: “To my wife, by whose helpful criticism ...” and so on. He said the dedication should really read: “To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harper’s instead of The Hardware Age.””
—Brenda Ueland (1891–1985)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)