Criticism
Over the years, Esalen Institute has been the subject of criticism. Generally, the Human Potential Movement has been criticized for espousing an ethic that the inner-self should be freely expressed in order to reach one's true potential. Some people have seen this ethic as an aspect of Esalen's culture. The historian Christopher Lasch claimed that humanistic techniques encourage narcissistic, spiritual materialistic or self-obsessive thoughts and behaviors. These criticisms were examined in a 2002 BBC television series, called The Century of the Self, which included video segments recorded at Esalen. In 1990 a graffiti artist spray painted, "Jive shit for rich white folk," on the entrance to Esalen, highlighting class and race issues. This implied that Esalen courses are too expensive and poor people can't afford to experience their "full human potential". Some think that this is a regression of progress away from true spiritual growth.
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Famous quotes containing the word criticism:
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
—Ezra Pound (1885–1972)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)