Works
His best-known work is his History of Greece (1857-1867). It presented in an attractive style what were then the latest results of scholarly research, but it was criticized as wanting in erudition. It is now superseded. His other writings are chiefly archaeological. The most important are:
- Die Akropolis von Athen (1844)
- Naxos (1846)
- Peloponnesos, eine historisch-geographische Beschreibung der Halbinsel (1851)
- Olympia (1852)
- Die Ionier vor der ionischen Wanderung (1855)
- Attische Studien (1862-1865)
- Ephesos (1874)
- Die Ausgrabungen zu Olympia (1877, etc.)
- Olympia und Umgegend (edited by Curtius and F Adler, 1882)
- Olympia. Die Ergebnisse der von dem deutschen Reich veranstalteten Ausgrabung (with F Adler, 1890-1898)
- Die Stadtgeschichte von Athen (1891)
- Gesammelte Abhandlungen (1894)
His collected speeches and lectures were published under the title of Altertum und Gegenwart (5th ed., 1903 foll.), to which a third volume was added under the title of Unter drei Kaisern (2nd ed., 1895).
Read more about this topic: Ernst Curtius
Famous quotes containing the word works:
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“Great works constructed there in nature’s spite
For scholars and for poets after us,
Thoughts long knitted into a single thought,
A dance-like glory that those walls begot.”
—William Butler Yeats (1865–1939)
“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (1921–1988)