Works
His best-known work is his History of Greece (1857-1867). It presented in an attractive style what were then the latest results of scholarly research, but it was criticized as wanting in erudition. It is now superseded. His other writings are chiefly archaeological. The most important are:
- Die Akropolis von Athen (1844)
- Naxos (1846)
- Peloponnesos, eine historisch-geographische Beschreibung der Halbinsel (1851)
- Olympia (1852)
- Die Ionier vor der ionischen Wanderung (1855)
- Attische Studien (1862-1865)
- Ephesos (1874)
- Die Ausgrabungen zu Olympia (1877, etc.)
- Olympia und Umgegend (edited by Curtius and F Adler, 1882)
- Olympia. Die Ergebnisse der von dem deutschen Reich veranstalteten Ausgrabung (with F Adler, 1890-1898)
- Die Stadtgeschichte von Athen (1891)
- Gesammelte Abhandlungen (1894)
His collected speeches and lectures were published under the title of Altertum und Gegenwart (5th ed., 1903 foll.), to which a third volume was added under the title of Unter drei Kaisern (2nd ed., 1895).
Read more about this topic: Ernst Curtius
Famous quotes containing the word works:
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (1819–1891)