Writing and Later Life
Seton was an early pioneer of the modern school of animal fiction writing, his most popular work being Wild Animals I Have Known (1898), which contains the story of his killing of the wolf Lobo. He later became involved in a literary debate known as the nature fakers controversy, after John Burroughs published an article in 1903 in the Atlantic Monthly attacking writers of sentimental animal stories. The controversy lasted for four years and included important American environmental and political figures of the day, including President Theodore Roosevelt.
In 1907, Seton and the naturalist Edward Alexander Preble verified a claim from ten years earlier by the frontiersman Charles "Buffalo" Jones that Jones and his hunting party of musk oxen had shot and fended off a hungry wolf pack near the Great Slave Lake in Canada. Seton and Preble discovered the remains of the animals near Jones's long abandoned cabin.
For his work, Lives of Game Animals, Volume 4, Seton was awarded the Daniel Giraud Elliot Medal from the National Academy of Sciences in 1928 . In 1931, he became a United States citizen. Seton was associated with the Santa Fe arts and literary community during the mid 1930s and early 1940s, which comprised a group of artists and authors including author and artist Alfred Morang, sculptor and potter Clem Hull, painter Georgia O'Keeffe, painter Randall Davey, painter Raymond Jonson, leader of the Transcendental Painters Group, and artist Eliseo Rodriguez.
He died in Seton Village in northern New Mexico at the age of eighty-six. Seton was cremated in Albuquerque. In 1960, in honor of his 100th birthday and the 350th anniversary of Santa Fe, his daughter Dee and his grandson, Seton Cottier (son of Anya), scattered the ashes over Seton Village from an airplane.
Read more about this topic: Ernest Thompson Seton
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