Life
Ernest Chausson was born in Paris into a prosperous bourgeois family. His father made his fortune assisting Baron Haussmann in the redevelopment of Paris in the 1850s. To please his father, Chausson studied law and was appointed a barrister for the Court of Appeals; but in truth, he had little or no interest in the profession. He frequented the Paris salons, where he met celebrities such as Henri Fantin-Latour, Odilon Redon, and Vincent d'Indy. Before deciding on a musical career, he dabbled in writing and drawing.
In October 1879, at the age of 25, he began attending the composition classes of the opera composer Jules Massenet at the Paris Conservatoire; Massenet came to regard him as 'an exceptional person and a true artist'. Chausson had already composed some piano pieces and songs. Nevertheless, the earliest manuscripts that have been preserved are those corrected by Massenet. Chausson interrupted his studies in 1881, after a failed attempt to win the Prix de Rome. During 1882 and 1883, Chausson, who enjoyed travel, visited Bayreuth to hear the operas of Wagner. On the first of these journeys, Chausson went with d'Indy for the premiere of Wagner's Parsifal, and on the second trip he went with his new spouse Jeanne Escudier (1862-1936), with whom he was to have five children.
From 1886 until his death in 1899, Chausson was secretary of the Société Nationale de Musique. In his own home (22 Boulevard de Courcelles, near Parc Monceau), he received a great many eminent artists, including the composers Henri Duparc, Gabriel Fauré, Claude Debussy, and Isaac Albéniz, the poet Mallarmé, the Russian novelist Turgenev, and the impressionist painter Monet. Chausson also assembled an important collection of paintings.
Read more about this topic: Ernest Chausson
Famous quotes containing the word life:
“The man Shelley, in very truth, is not entirely sane, and Shelley’s poetry is not entirely sane either. The Shelley of actual life is a vision of beauty and radiance, indeed, but availing nothing, effecting nothing. And in poetry, no less than in life, he is “a beautiful and ineffectual angel, beating in the void his luminous wings in vain.””
—Matthew Arnold (1822–1888)
“It is conceivable at least that a late generation, such as we presumably are, has particular need of the sketch, in order not to be strangled to death by inherited conceptions which preclude new births.... The sketch has direction, but no ending; the sketch as reflection of a view of life that is no longer conclusive, or is not yet conclusive.”
—Max Frisch (1911–1991)
“I don’t believe that children can develop in a healthy way unless they feel that they have value apart from anything they own or any skill that they learn. They need to feel they enhance the life of someone else, that they are needed. Who, better than parents, can let them know that?”
—Fred Rogers (20th century)