Legacy
Despite his achievements and considerable popularity with the musical public, Korngold for years attracted almost no positive critical attention, but considerable critical disdain. Then, in 1972, RCA Victor released an LP titled The Sea Hawk, featuring excerpts from Korngold's film scores performed by the National Philharmonic Orchestra, conducted by Charles Gerhardt and supervised by the composer's son George. (This album and other classic film scores by Hollywood composers were later issued by RCA on CD in Dolby Surround Sound.) This was followed by recordings of Korngold's operas and concert works, which led to performances of his symphony and concertos, as well as other compositions.
In 1973, Warner Brothers released special LPs featuring excerpts from the original soundtracks of films scored by Korngold, as well as a rare recording of Korngold playing the main theme from Kings Row on the piano. In addition, a KFWB radio broadcast from 1938 with Korngold conducting the studio orchestra in excerpts from The Adventures of Robin Hood, narrated by actor Basil Rathbone, was released on LP. In 1975 Die tote Stadt was revived to capacity houses in New York.
There have also been a number of new digital recordings of Korngold's film scores, as well as some of his concert works, especially his violin concerto and his symphony. RCA Victor was the first to record a complete Korngold opera (in stereo), in 1975: Die tote Stadt, conducted by Erich Leinsdorf in Germany. In 1980, CBS Masterworks recorded the opera Violanta under the baton of Marek Janowski; this recording has been re-released by Sony Classical in 2009. In 1993, Decca released a recording of Das Wunder der Heliane conducted by John Mauceri in their Entartete Musik series. Korngold's two remaining operas, Der Ring des Polykrates and Die Kathrin have both been recorded (in 1996 and 1998 respectively) by the German record label CPO. This company also released four CDs of Korngold's orchestral works with Werner Andreas Albert conducting the Nordwestdeutsche Philharmonie. The American conductor-pianist Alexander Frey is currently recording Korngold's complete original piano works for Koch International Classics. In 2001, ArtHaus Musik released a documentary DVD Erich Wolfgang Korngold - The Adventures of a Wunderkind. Noted double bass soloist Joel Quarrington recorded a transcription of the "Garden Scene" from Korngold's incidental music to Much Ado About Nothing, Op. 11 on his 2008 CD, also entitled "Garden Scene." Quarrington won a Juno Award for the album. In 2009, Korngold's Violin Concerto was released on the Naxos Records label, along with Overture to a Drama, Op. 4, and the concert suite from Much Ado About Nothing, performed by the Orquesta Sinfonica de Mineria and violinist Philippe Quint.
Further recognition came in the 1990s; two full-scale biographies of him appeared almost simultaneously. One is Jessica Duchen, Erich Wolfgang Korngold (Phaidon Press, 20th Century Composers series, 1996). The other is Brendan G. Carroll, Erich Korngold: The Last Prodigy (Amadeus Press, 1997). Carroll is President of the International Korngold Society. Carroll has released excerpts of acetates with Korngold conducting the Warner Brothers studio orchestra in music from his film scores, some possibly taken from KFWB radio broadcasts. In addition, the soundtrack recordings of Korngold conducting some of the film scores have been issued on CDs. On British television, in the 1970s, André Previn conducted one movement from the violin concerto, and then told the story of the "famous" American music critic who declared that "Korngold's violin concerto is more corn than gold". Previn then pointed out that the critic is no longer remembered whereas Korngold is.
The American Film Institute ranked Korngold's score for The Adventures of Robin Hood as number 11 on their list of the greatest film scores. His scores for the following films were also nominated for the list:
- Deception (1946)
- Kings Row (1942)
- The Private Lives of Elizabeth and Essex (1939)
- The Sea Hawk (1940)
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“What is popularly called fame is nothing but an empty name and a legacy from paganism.”
—Desiderius Erasmus (c. 14661536)