Selected Filmography
Year | Title | Role | Notes |
---|---|---|---|
1912 | An Unseen Enemy | Man in Straw Hat Dancing by Desk in Lobby | |
1916 | The Flying Torpedo | Accomplice | |
1916 | His Picture in the Papers | 'Eye Patch' Thug | |
1918 | The Heart of Humanity | Eric von Eberhard | |
1919 | Blind Husbands | Lieutenant Eric Von Steuben | Director and screenwriter and producer |
1920 | The Devil's Pass Key | Director and screenwriter | |
1922 | Foolish Wives | Their Cousin, Count Wladislaw Sergius Karamzin (Russian Captain of Hussars) | Director and screenwriter |
1923 | Merry-Go-Round | Director and screenwriter | |
1924 | Greed | Balloon vendor Uncredited | Director and screenwriter |
1925 | The Merry Widow | Director and screenwriter and producer | |
1928 | The Wedding March | Nicki / Prince Nickolas von Wildeliebe-Rauffenburg | Director |
1928 | Tempest | screenwriter | |
1929 | Queen Kelly | Director and screenwriter and producer | |
1932 | The Lost Squadron | Arthur von Furst | |
1933 | Hello, Sister! | Director and screenwriter | |
1936 | The Crime of Dr. Crespi | Dr. Andre Crespi | |
1936 | The Devil-Doll | screenwriter | |
1936 | Mademoiselle Docteur | ||
1937 | La Grande Illusion | Captain von Rauffenstein, a German officer | |
1938 | Gibraltar | Marson | |
1943 | Five Graves to Cairo | Field Marshal Erwin Rommel | |
1943 | The North Star | Dr. von Harden | |
1944 | The Lady and the Monster | Prof. Franz Mueller | |
1945 | The Great Flamarion | The Great Flamarion | |
1945 | Scotland Yard Investigator | Carl Hoffmeyer | |
1946 | The Mask of Diijon | Diijon | |
1950 | Sunset Boulevard | Maximillian "Max" von Mayerling | |
1955 | Napoléon | Ludwig van Beethoven |
Read more about this topic: Erich Von Stroheim
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“There is no reason why parents who work hard at a job to support a family, who nurture children during the hours at home, and who have searched for and selected the best [daycare] arrangement possible for their children need to feel anxious and guilty. It almost seems as if our culture wants parents to experience these negative feelings.”
—Gwen Morgan (20th century)
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