Eric Hoffer - On The Nature and Origins of Mass Movements

On The Nature and Origins of Mass Movements

Hoffer believed that self-esteem was of central importance to psychological well-being. He focused on what he viewed as the consequences of a lack of self-esteem. Concerned about the rise of totalitarian governments, especially those of Adolf Hitler and Joseph Stalin, he tried to find the roots of these "madhouses" in human psychology. He postulated that fanaticism and self-righteousness are rooted in self-hatred, self-doubt, and insecurity. In The True Believer (1951) he claimed that a passionate obsession with the outside world or the private lives of others was an attempt to compensate for a lack of meaning in one's own life. The book discusses religious and political mass movements, and extensive discussions of Islam and Christianity. A core principle in the book is Hoffer's assertion that mass movements are interchangeable: fanatical Nazis became fanatical Communists, fanatical Communists became fanatical anti-Communists, and Saul, persecutor of Christians, became Paul, a fanatical Christian. For the "true believer", substance is less important than being part of a movement.

Hoffer's work was non-Freudian, at a time when much of American psychology was informed by the Freudian paradigm. Hoffer appeared on public television in 1964 and then in two one-hour conversations on CBS with Eric Sevareid in the late 1960s.

Read more about this topic:  Eric Hoffer

Famous quotes containing the words nature, origins, mass and/or movements:

    Knowledge and increase of enduring joy
    From the great Nature that exists in works
    Of mighty Poets.
    William Wordsworth (1770–1850)

    The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.
    Lewis Mumford (1895–1990)

    They’re semiotic phantoms, bits of deep cultural imagery that have split off and taken on a life of their own, like those Jules Verne airships that those old Kansas farmers were always seeing.... Semiotic ghosts. Fragments of the Mass Dream, whirling past in the wind of my passage.
    William Gibson (b. 1948)

    To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?
    Rémy De Gourmont (1858–1915)