In Fiction
Frederick Forsyth's 1974 novel The Dogs of War is set in the fictional platinum-rich 'Republic of Zangaro', which is based on Equatorial Guinea. There is also a 1981 film adaptation of the book, with the same name
Fernando Po (now Bioko) is featured prominently in the 1975 science fiction work The Illuminatus! Trilogy by Robert Shea and Robert Anton Wilson. The island (and, in turn, the country) experience a series of coups in the story which lead the world to the verge of nuclear war. The story also hypothesizes that Fernando Po is the last remaining piece of the sunken continent of Atlantis.
Most of the action in the American novelist Robin Cook's book, Chromosome 6, takes place at a primate research facility based in Equatorial Guinea due to the country's permissive laws. The book also discusses some of the geography, history, and peoples of the country.
Episode 2 of the British sitcom Yes Minister, "The Official Visit", takes place in the fictional developing country of Buranda in what is actually Equatorial Guinea.
In the 2009 novel Limit by Frank Schätzing, which takes place in 2025, the country's history (and future history) plays a significant role in the plot.
The 2011 novel "The Informationist" by Taylor Stevens is a missing-person thriller that makes detailed use of Equatorial Guinea's melange of people, economics, and geography.
Read more about this topic: Equatorial Guinea
Famous quotes containing the word fiction:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“Americans will listen, but they do not care to read. War and Peace must wait for the leisure of retirement, which never really comes: meanwhile it helps to furnish the living room. Blockbusting fiction is bought as furniture. Unread, it maintains its value. Read, it looks like money wasted. Cunningly, Americans know that books contain a person, and they want the person, not the book.”
—Anthony Burgess (b. 1917)