Epic Poetry

Epic Poetry

An epic (from the Ancient Greek adjective ἐπικός (epikos), from ἔπος (epos) "word, story, poem") is a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significant to a culture or nation. Oral poetry may qualify as an epic, and Albert Lord and Milman Parry have argued that classical epics were fundamentally an oral poetic form. Nonetheless, epics have been written down at least since the works of Virgil, Dante Alighieri, and John Milton. Many probably would not have survived if not written down. The first epics are known as primary, or original, epics. One such epic is the Old English story Beowulf. Epics that attempt to imitate these like Milton's Paradise Lost are known as literary, or secondary, epics. Another type of epic poetry is epyllion (plural: epyllia), which is a brief narrative poem with a romantic or mythological theme. The term, which means 'little epic', came into use in the nineteenth century. It refers primarily to the erudite, shorter hexameter poems of the Hellenistic period and the similar works composed at Rome from the age of the neoterics; to a lesser degree, the term includes some poems of the English Renaissance, particularly those influenced by Ovid. The most famous example of classical epyllion is perhaps Catullus 64.

Some of the most famous examples of epic poetry include the Ramayana, Mahabharata, Iliad and the Odyssey.

Read more about Epic Poetry:  Oral Epics or World Folk Epics, Notable Epic Poems, Other Epics

Famous quotes containing the words epic and/or poetry:

    I am not a great man, but sometimes I think the impersonal and objective equality of my talent and the sacrifices of it, in pieces, to preserve its essential value has some sort of epic grandeur.
    F. Scott Fitzgerald (1896–1940)

    Poetry, and Picture, are Arts of a like nature; and both are busie about imitation. It was excellently said of Plutarch, Poetry was a speaking Picture, and Picture a mute Poesie. For they both invent, faine, and devise many things, and accommodate all they invent to the use, and service of nature. Yet of the two, the Pen is more noble, than the Pencill. For that can speake to the Understanding; the other, but to the Sense.
    Ben Jonson (1573–1637)