Ensemble Interpretation - Earlier Classical Ensemble Ideas

Earlier Classical Ensemble Ideas

Early proponents of statistical approaches regarded quantum mechanics as an approximation to a classical theory. John Gribbin writes:

"The basic idea is that each quantum entity (such as an electron or a photon) has precise quantum properties (such as position or momentum) and the quantum wavefunction is related to the probability of getting a particular experimental result when one member (or many members) of the ensemble is selected by an experiment"

However, hopes for turning quantum mechanics back into a classical theory were dashed. Gribbin continues:

"There are many difficulties with the idea, but the killer blow was struck when individual quantum entities such as photons were observed behaving in experiments in line with the quantum wave function description. The Ensemble interpretation is now only of historical interest."

Willem de Muynck describes an "objective-realist" version of the ensemble interpretation featuring counterfactual definiteness and the "possessed values principle", in which values of the quantum mechanical observables may be attributed to the object as objective properties the object possesses independent of observation. He states that there are "strong indications, if not proofs" that neither is a possible assumption.

Read more about this topic:  Ensemble Interpretation

Famous quotes containing the words earlier, classical and/or ideas:

    The earlier works of a man of genius are always preferred to the newer ones, in order to prove that he is going down instead of up.
    Victor Hugo (1802–1885)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind—no matter how ultimately profitable or otherwise successful some of them might prove to be—there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.
    Jane Jacobs (b. 1916)