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The 1914 recording by Titta Ruffo and Enrico Caruso of Giuseppe Verdi's Otello
"Ombra mai fu"
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"Ombra mai fu" (and the introductory recitative) from George Frideric Handel's Serse, recorded in 1920.
"Recondita armonia"
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A 1907 performance of "Recondita armonia" from Giacomo Puccini's Tosca
O Mimì, tu più non torni
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A 1907 recording with Enrico Caruso as Rodolfo and Antonio Scotti as Marcello of "O Mimì, tu più non torni" from Act IV of Giacomo Puccini's La bohème.
"Una furtiva lagrima"
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"Una furtiva lagrima" from Gaetano Donizetti's L'elisir d'amore Sung in 1911 for the Victor Talking Machine Company.
O soave fanciulla
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"O soave fanciulla" from Giacomo Puccini's La bohème, sung by Enrico Caruso and Nellie Melba in 1906.
La donna è mobile
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Caruso sings La donna è mobile from Verdi's Rigoletto, c. 1908
Ave Maria
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Caruso sings Ave Maria by Percival Benedict Kahn, Mischa Elman on violin (1913)
Vesti La Giubba
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March 17, 1907, recording of 'Vesti La Giubba' from Pagliacci
No Pagliaccio non son
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Recording of 'No Pagliaccio non son' from Pagliacci
La Partida
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Manon! avez-vous peur ... On l'appelle Manon
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1912 recording of Enrico Caruso and Geraldine Farrar performing a scene from Act II of Jules Massenet's Manon.
O souverain, O juge, O père!
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1916 recording of Rodrigue's Act III aria in Jules Massenet's Le Cid (1885).
Faust: "O merveille! ... A moi les plaisirs"
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The Act I finale of Charles Gounod's Faust (1859), sung by Enrico Caruso and Marcel Journet in 1910.
"È scherzo od è follia"
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Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés De Segurola and Léon Rothier performing "È scherzo od è Follia" from Giuseppe Verdi's Un ballo in maschera in 1914
Over There
Caruso singing the popular World War I song by George M. Cohan.
“The question confronting the Church today is not any longer whether the man in the street can grasp a religious message, but how to employ the communications media so as to let him have the full impact of the Gospel message.” —Pope John Paul II (b. 1920)
“The media no longer ask those who know something ... to share that knowledge with the public. Instead they ask those who know nothing to represent the ignorance of the public and, in so doing, to legitimate it.” —Serge Daney (1944–1992)