Victorian Era and Later
A change came in the Victorian era with a profusion on the London stage of farces, musical burlesques, extravaganzas and comic operas that competed with Shakespeare productions and serious drama by the likes of James Planché and Thomas William Robertson. In 1855, the German Reed Entertainments began a process of elevating the level of (formerly risqué) musical theatre in Britain that culminated in the famous series of comic operas by Gilbert and Sullivan and were followed by the 1890s with the first Edwardian musical comedies. W. S. Gilbert and Oscar Wilde were leading poets and dramatists of the late Victorian period. Wilde's plays, in particular, stand apart from the many now forgotten plays of Victorian times and have a much closer relationship to those of the Edwardian dramatists such as Irishman George Bernard Shaw and Norwegian Henrik Ibsen.
The length of runs in the theatre changed rapidly during the Victorian period. As transportation improved, poverty in London diminished, and street lighting made for safer travel at night, the number of potential patrons for the growing number of theatres increased enormously. Plays could run longer and still draw in the audiences, leading to better profits and improved production values. The first play to achieve 500 consecutive performances was the London comedy Our Boys, opening in 1875. Its astonishing new record of 1,362 performances was bested in 1892 by Charley's Aunt. Several of Gilbert and Sullivan's comic operas broke the 500-performance barrier, beginning with H.M.S. Pinafore in 1878, and Alfred Cellier and B. C. Stephenson's 1886 hit, Dorothy, ran for 931 performances.
Edwardian musical comedy held the London stage (together with foreign operetta imports) until World War I and was then supplanted by increasingly popular American musical theatre and comedies by Noël Coward, Ivor Novello and their contemporaries. The motion picture mounted a challenge to the stage. At first, films were silent and presented only a limited challenge to theatre. But by the end of the 1920s, films like The Jazz Singer could be presented with synchronized sound, and critics wondered if the cinema would replace live theatre altogether. Some dramatists wrote for the new medium, but playwriting continued.
Postmodernism had a profound effect on English drama in the latter half of the 20th Century. This can be seen particularly in the work of Samuel Beckett (most notably in Waiting for Godot), who in turn influenced writers such as Harold Pinter and Tom Stoppard.
Today the West End of London has a large number of theatres, particularly centred around Shaftesbury Avenue. A prolific writer of music for musicals of the 20th century, Andrew Lloyd Webber, has dominated the West End for a number of years, and his works have travelled to Broadway in New York and around the world, as well as being turned into film.
The Royal Shakespeare Company operates out of Stratford-upon-Avon, producing mainly but not exclusively Shakespeare's plays.
Read more about this topic: English Drama
Famous quotes containing the words victorian and/or era:
“Apart from letters, it is the vulgar custom of the moment to deride the thinkers of the Victorian and Edwardian eras; yet there has not been, in all history, another age ... when so much sheer mental energy was directed toward creating a fairer social order.”
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