Engelbert Humperdinck - Later Career

Later Career

In 1896 the Kaiser made Humperdinck a Professor and he went to live at Boppard. Four years later, however, he went to Berlin where he was appointed head of a Meister-Schule of composition. His students included the Basque composer Andrés Isasi. Among his other stage works are:

• Die sieben Geißlein (The Seven Little Kids), 1895
• Königskinder (King's Children), 1897, 1910
• Dornröschen (Sleeping Beauty), 1902
• Die Heirat wider Willen (The Reluctant Marriage), 1905
• Bübchens Weihnachtstraum (The Christmas Dream), 1906
• Die Marketenderin (The Provisioner), 1914
• Gaudeamus: Szenen aus dem deutschen Studentenleben (Gaudeamus igitur: Scenes from German Student Life), 1919

While composing those works, Humperdinck held various teaching positions of distinction and collaborated in the theater, providing incidental music for a number of Max Reinhardt's productions in Berlin, for example, for Shakespeare's The Merchant of Venice in 1905.

Though recognized as a disciple of Wagner rather than an innovator, he was nevertheless the first composer to use Sprechgesang—a vocal technique halfway between singing and speaking used later by Arnold Schoenberg—in his melodrama Die Königskinder (1897).

In 1914, Humperdinck seems to have applied for the post of director of the Sydney Conservatorium of Music in Australia, but with the outbreak of World War I it became unthinkable for a German to hold that position, and the job went instead to Belgium's Henri Verbrugghen. Also in 1914, Humperdinck signed the Manifesto of the Ninety-Three, declaring support for German military actions during early World War I.

On 5 January 1912, Humperdinck suffered a severe stroke. Though he recovered, his left hand remained permanently paralyzed. He continued to compose, completing Gaudeamus with the help of his son, Wolfram, in 1918. On 26 September 1921, Humperdinck attended a performance of Carl Maria von Weber's Der Freischütz in Neustrelitz, Wolfram's first effort as a stage director. He suffered a heart attack during the performance and died the next day from a second heart attack. The Berlin State Opera performed Hänsel und Gretel in his memory a few weeks later.