Style
The title of "King of Kings", often rendered imprecisely in English as "Emperor", dates back to ancient Mesopotamia, but was used in Axum by King Sembrouthes (c. 250 AD). However, Yuri Kobishchanov dates this usage to the period following the Persian victory over the Romans in 296-297. Its use, from at least the reign of Yekuno Amlak onward, meant that both subordinate officials and tributary rulers, notably the gubernatorial vassals of Gojjam (who ranked 12th in the states non-dynastic protocol as per 1690), Welega, the seaward provinces and later Shewa, received the honorific title of nəgus, a word for "king."
The consort of the Emperor was referred to as the ətege, and the ruling Empress Zauditu used that title in addition to the feminized form nəgəstä nägäst ("Queen of Kings").
Read more about this topic: Emperor Of Ethiopia
Famous quotes containing the word style:
“A man is free to go up as high as he can reach up to; but I, with all my style and pep, can’t get a man my equal because a girl is always judged by her mother.”
—Anzia Yezierska (c. 1881–1970)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)