History
The Los Angeles-based Academy of Television Arts & Sciences (ATAS) established the Emmy Awards as part of an image-building and public relations opportunity. The first Emmy Awards were presented on January 25, 1949 at the Hollywood Athletic Club, but solely to honor shows produced and aired locally in the Los Angeles area. Shirley Dinsdale has the distinction of receiving the very first Emmy, for Most Outstanding Television Personality, during that first awards ceremony.
In the 1950s, the ATAS expanded the Emmys into a national event, presenting the awards to shows broadcast nationwide. In 1955, the National Academy of Television Arts and Sciences (NATAS) was formed in New York as a sister organization to serve members on the East Coast, and help to also supervise the Emmys. The NATAS also established regional chapters throughout the United States, with each one developing their own local Emmy awards show for local programming. The ATAS still however maintained its separate regional ceremony honoring local programming in the Los Angeles Area.
Originally there was only one Emmy Awards ceremony held per year to honor shows nationally broadcast in the United States. That changed when the Daytime Emmy Awards, a separate awards show specifically just for daytime programming, was first held in 1974. Other area-specific Emmy Awards ceremonies soon followed. Also, the International Emmy Awards, honoring television programs produced and initially aired outside the U.S., was established in the early 1970s. Meanwhile, all Emmys awarded prior to the emergence of these separate, area-specific ceremonies are listed along with the Primetime Emmy Awards in the ATAS' official records.
In 1977, due to various conflicts, the ATAS and the NATAS agreed to split ties. However, they also agreed to share ownership of the Emmy statue and trademark, with each responsible for administering a specific set of award shows.
Read more about this topic: Emmy Award
Famous quotes containing the word history:
“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.”
—Adrienne Rich (b. 1929)
“Don’t give your opinions about Art and the Purpose of Life. They are of little interest and, anyway, you can’t express them. Don’t analyse yourself. Give the relevant facts and let your readers make their own judgments. Stick to your story. It is not the most important subject in history but it is one about which you are uniquely qualified to speak.”
—Evelyn Waugh (1903–1966)
“Regarding History as the slaughter-bench at which the happiness of peoples, the wisdom of States, and the virtue of individuals have been victimized—the question involuntarily arises—to what principle, to what final aim these enormous sacrifices have been offered.”
—Georg Wilhelm Friedrich Hegel (1770–1831)