Emma Willard - Works

Works

Along with the profits made from the Troy Female Seminary, Willard also made a living from her writing. She wrote several textbooks throughout her lifetime, including books on history and geography. Some of her works include The Woodbridge and Willard Geographies and Atlases (1823), which she wrote with the American geographer William Channing Woodbridge; History of the United States, or Republic of America (1828), A System of Fulfillment of a Promise (1831), A Treatise on the Motive Powers which Produce the Circulation of the Blood (1846), Guide to the Temple of Time and Universal History for Schools (1849), Last Leaves of American History (1849), Astronography; or Astronomical Geography (1854), and Morals for the Young (1857). Willard also published a book of poetry, The Fulfilment of a Promise (1831) with her most popular poem entitled “Rocked in the Cradle of the Deep,” which she reportedly wrote while on an ocean voyage in 1839. In 1830, she made a tour of Europe, and three years later published the proceeds from the sale of the book she gave to a school for women that she helped to found in Athens, Greece.

Read more about this topic:  Emma Willard

Famous quotes containing the word works:

    I cannot spare water or wine, Tobacco-leaf, or poppy, or rose;
    From the earth-poles to the line, All between that works or grows,
    Every thing is kin of mine.
    Ralph Waldo Emerson (1803–1882)

    Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.
    bell hooks (b. c. 1955)

    One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.
    Benjamin Haydon (1786–1846)