Significant Artworks
Retrato de Cleto Ciochini (1913), Ink on thin cardboard, Private Collection
El Sifón (1915), Collage, Museo Nacional de Bellas Artes, Buenos Aires
La Grotta Azzurra di Capri (1918), Oil on canvas, Private Collection, Buenos Aires
Pensierosa (1920), Oil on canvas, Córdova Iturburu, Buenos Aires
La Canción del Pueblo (1927), Oil on wood, Malba Museo de Arte Latinoamericano de Buenos Aires
Quinteto (1927), Oil on plywood, Private Collection, Buenos Aires
Arlequín (1928), Oil on canvas, Museo Nacional de Bellas Artes, Buenos Aires
El Improvisador (1937), Oil on canvas, Museo Nacional de Bellas Artes, Buenos Aires
La Ultima Serenata (The Last Serenade) (1937), Oil on canvas, International Business Machines, New York
Sol Argentino (1941), Oil on canvas, Museo Nacional de Bellas Artes, Buenos Aires
Invierno en París (1955), Oil on canvas, Museo Nacional de Bellas Artes, Buenos Aires
Farfalla (1961), Oil on canvas, Museo Nacional de Bellas Artes, Buenos Aires
Read more about this topic: Emilio Pettoruti
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“Priests and physicians should never look one another in the face. They have no common ground, nor is there any to mediate between them. When the one comes, the other goes. They could not come together without laughter, or a significant silence, for the one’s profession is a satire on the other’s, and either’s success would be the other’s failure.”
—Henry David Thoreau (1817–1862)
“It is with artworks as it is with wine: it is much better when we do not need either one, when we stick with water, and when out of our own inner fire, the inner sweetness of our own soul, we turn the water over and over again into wine ourselves.”
—Friedrich Nietzsche (1844–1900)