Subject
The painting portrays a "fête galante"; an amorous celebration or party enjoyed by the aristocracy of France during the Régence after the death of Louis XIV, which is generally seen as a period of dissipation and pleasure, and peace, after the sombre last years of the previous reign. The work celebrates love, with many cupids flying around the couples and pushing them closer together, as well as the statue of Venus (the goddess of sexual love). There are three pairs of lovers in the foreground. While the couple on the right by the statue are still engaged in their passionate tryst, another couple rises to follow a third pair down the hill, although the woman of the third pair glances back fondly at the goddess’s sacred grove. At the foot of the hill, several more happy couples are preparing to board the golden boat at the left. With its light and wispy brushstrokes, the hazy landscape in the background does not give to any clues whether it is spring or fall, dawn or dusk.
Read more about this topic: Embarkation For Cythera
Famous quotes containing the word subject:
“Virtue and vice suppose the freedom to choose between good and evil; but what can be the morals of a woman who is not even in possession of herself, who has nothing of her own, and who all her life has been trained to extricate herself from the arbitrary by ruse, from constraint by using her charms?... As long as she is subject to mans yoke or to prejudice, as long as she receives no professional education, as long as she is deprived of her civil rights, there can be no moral law for her!”
—Flora Tristan (18031844)
“The entire construct of the medical model of mental illnessMwhat is it but an analogy? Between physical medicine and psychiatry: the mind is said to be subject to disease in the same manner as the body. But whereas in physical medicine there are verifiable physiological proofsin damaged or affected tissue, bacteria, inflammation, cellular irregularityin mental illness alleged socially unacceptable behavior is taken as a symptom, even as proof, of pathology.”
—Kate Millett (b. 1934)
“You should never assume contempt for that which it is not very manifest that you have it in your power to possess, nor does a wit ever make a more contemptible figure than when, in attempting satire, he shows that he does not understand that which he would make the subject of his ridicule.”
—William Lamb Melbourne, 2nd Viscount (17791848)