Embarkation For Cythera - Subject

Subject

The painting portrays a "fête galante"; an amorous celebration or party enjoyed by the aristocracy of France during the Régence after the death of Louis XIV, which is generally seen as a period of dissipation and pleasure, and peace, after the sombre last years of the previous reign. The work celebrates love, with many cupids flying around the couples and pushing them closer together, as well as the statue of Venus (the goddess of sexual love). There are three pairs of lovers in the foreground. While the couple on the right by the statue are still engaged in their passionate tryst, another couple rises to follow a third pair down the hill, although the woman of the third pair glances back fondly at the goddess’s sacred grove. At the foot of the hill, several more happy couples are preparing to board the golden boat at the left. With its light and wispy brushstrokes, the hazy landscape in the background does not give to any clues whether it is spring or fall, dawn or dusk.

Read more about this topic:  Embarkation For Cythera

Famous quotes containing the word subject:

    It is a necessary condition of one’s ascribing states of consciousness, experiences, to oneself, in the way one does, that one should also ascribe them, or be prepared to ascribe them, to others who are not oneself.... The ascribing phrases are used in just the same sense when the subject is another as when the subject is oneself.
    Sir Peter Frederick Strawson (b. 1919)

    Experiences in order to be educative must lead out into an expanding world of subject matter, a subject matter of facts or information and of ideas. This condition is satisfied only as the educator views teaching and learning as a continuous process of reconstruction of experience.
    John Dewey (1859–1952)

    In a pure society, the subject of marriage would not be so often avoided,—from shame and not from reverence, winked out of sight, and hinted at only; but treated naturally and simply,—perhaps simply avoided like the kindred mysteries. If it cannot be spoken of for shame, how can it be acted of? But, doubtless, there is far more purity, as well as more impurity, than is apparent.
    Henry David Thoreau (1817–1862)