History
In the ancient world, Cythera, one of the Greek islands, was thought to be the birthplace of Venus, goddess of love. Thus, the island became sacred to the goddess and love. However, the subject of Cythera may have been inspired by certain 17th century operas or an illustration of a minor play. In Florent Carton Dancourt's Les Trois Cousines, a girl dressed as a pilgrim steps out from the chorus line and invites the audience to join her on a voyage to the island, where everyone will meet their ideal partner. It was around 1709 that Watteau painted his first, more literal version of the theme, which nonetheless bears a compositional similarity to the Louvre painting. This work is now in the Städtische Galerie im Städelschen Kunstinstitut, Frankfurt-am-Main.
When Watteau was accepted as a member of the Academy in 1714, he was expected to present the customary reception piece. Although he was given unusual freedom in choosing a subject for his painting, his failure to submit a work brought several reprimands. Meanwhile, Watteau worked on numerous private commissions that his rising reputation brought him. Finally, in January, 1717, the Academy called Watteau to task, and in August of that year he presented his painting, which had been painted quickly in the preceding eight months. Once submitted, the painting caused the Academy to invent a new classification for it, since the subject was so striking and new. This resulted in the fête galantes (elegant fêtes or outdoor entertainments), a genre subsequently practiced by imitators of Watteau, such as Jean-Baptiste Pater and Nicolas Lancret.
After Watteau’s death, his art fell out of fashion. During the French Revolution, some eighty years after the work was painted, his depictions of lavishly set pastoral escapades were associated with the old days of the monarchy and a frivolous aristocracy. This particular piece, which had entered the collection of the Louvre in 1795, was used by art students for target practice; an account by Pierre Bergeret (1782–1863) describes the drawing students throwing bread pellets at it. In the early 19th century the curator at the Louvre was forced to place it in storage until 1816 in order to protect the painting from angry protesters. It was not until the 1830s that Watteau and the Rococo returned into fashion.
It has often been noted that, despite the title, the people on the island seem to be leaving rather than arriving, especially since they have already paired up. Many art historians have come up with a variety of interpretations of the allegory of the voyage to the island of love. Watteau himself purposely did not give an answer.
Read more about this topic: Embarkation For Cythera
Famous quotes containing the word history:
“There is nothing truer than myth: history, in its attempt to “realize” myth, distorts it, stops halfway; when history claims to have “succeeded” this is nothing but humbug and mystification. Everything we dream is “realizable.” Reality does not have to be: it is simply what it is.”
—Eugène Ionesco (b. 1912)
“The history is always the same the product is always different and the history interests more than the product. More, that is, more. Yes. But if the product was not different the history which is the same would not be more interesting.”
—Gertrude Stein (1874–1946)
“Certainly there is not the fight recorded in Concord history, at least, if in the history of America, that will bear a moment’s comparison with this, whether for the numbers engaged in it, or for the patriotism and heroism displayed.”
—Henry David Thoreau (1817–1862)