Elmer Fudd - Impact On Popular Culture

Impact On Popular Culture

The search engine Google has been translated into many languages, some of them for sheer comedic purposes. One of the novelty languages is "Elmer Fudd." Comedian and actor Robin Williams also performed a famous sketch where he sang the Bruce Springsteen song "Fire" as Elmer Fudd.

In the film Fletch Lives, the eponymous character (while in disguise) gives his name as "Elmer Fudd Gantry".

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Famous quotes containing the words popular culture, impact on, impact, popular and/or culture:

    “Popular culture is seductive; high culture is imperious.”
    —Mason Cooley (b. 1927)

    “Too many existing classrooms for young children have this overriding goal: To get the children ready for first grade. This goal is unworthy. It is hurtful. This goal has had the most distorting impact on five-year-olds. It causes kindergartens to be merely the handmaidens of first grade.... Kindergarten teachers cannot look at their own children and plan for their present needs as five-year-olds.”
    —James L. Hymes, Jr. (20th century)

    “As in political revolutions, so in paradigm choice—there is no standard higher than the assent of the relevant community. To discover how scientific revolutions are effected, we shall therefore have to examine not only the impact of nature and of logic, but also the techniques of persuasive argumentation effective within the quite special groups that constitute the community of scientists.”
    —Thomas S. Kuhn (b. 1922)

    “Lawyers are necessary in a community. Some of you ... take a different view; but as I am a member of that legal profession, or was at one time, and have only lost standing in it to become a politician, I still retain the pride of the profession. And I still insist that it is the law and the lawyer that make popular government under a written constitution and written statutes possible.”
    —William Howard Taft (1857–1930)

    “A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
    —Jacques Barzun (b. 1907)