Films and Last Years
In 1916, she appeared in her first film as Julia Lovelace in Her Greatest Performance and continued to act in London and on tour, also making a few more films through 1922, including The Invasion of Britain (1918), Pillars of Society (1920), Victory and Peace, Potter's Clay (1922), and The Bohemian Girl as Buda the nursemaid, with Ivor Novello and Gladys Cooper (1922). She also continued to lecture on Shakespeare throughout England and North America. She also gave scenes from Shakespeare plays in music halls under the management of Oswald Stoll. Her last fully staged role was as the Nurse in Romeo and Juliet at the Lyric Theatre in 1919. In 1920 she retired from the stage and in 1922 from film, although she returned to play Susan Wildersham in Walter de la Mare's fairy play Crossings, in November 1925 at the Lyric Theatre, Hammersmith.
In 1922, St. Andrews University conferred an honorary LLD upon Terry, and in 1925 she was made a Dame Grand Cross of the Order of the British Empire, only the second actress to be so honoured. In her last years, she gradually lost her eyesight and suffered from senility. Stephen Coleridge anonymously published Terry's second autobiography, The Heart of Ellen Terry in 1928.
Terry died of a cerebral haemorrhage at her home at Smallhythe Place, near Tenterden, Kent, England, at age 81. She was cremated at Golders Green, Middlesex. Her ashes rest in a silver chalice on the right side of the chancel of the actors' church, St Paul's, Covent Garden, London, where a memorial tablet was unveiled by Sir John Martin-Harvey.
Read more about this topic: Ellen Terry
Famous quotes containing the words films and, films and/or years:
“If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. There’s nothing behind it.”
—Andy Warhol (c. 1928–1987)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“It is not time or opportunity that is to determine intimacy;Mit is disposition alone. Seven years would be insufficient to make some people acquainted with each other, and seven days are more than enough for others.”
—Jane Austen (1775–1817)