Elizabeth Bowen - Critical Essays On Bowen

Critical Essays On Bowen

  • The Bellman (Seán Ó Faoláin): "Meet Elizabeth Bowen" in The Bell Vol. 4 (September 1942)
  • David Daiches: "The Novels of Elizabeth Bowen" in The English Journal Vol. 38, No. 6 (1949)
  • Elizabeth Hardwick: "Elizabeth Bowen’s Fiction" in Partisan Review Vol. 16 (1949)
  • Bruce Harkness: "The Fiction of Elizabeth Bowen" in The English Journal Vol. 44, No. 9 (1955)
  • Gary T. Davenport: "Elizabeth Bowen and the Big House" in Southern Humanities Review Vol. 8 (1974)
  • Martha McGowan: "The Enclosed Garden in Elizabeth Bowen’s A World of Love" in Éire-Ireland Vol. 16, Issue 1 (Spring 1981)
  • Seán Ó Faoláin: "A Reading and Remembrance of Elizabeth Bowen" in London Review of Books (4–17 March 1982)
  • Antoinette Quinn: "Elizabeth Bowen’s Irish Stories: 1939-45" in Studies in Anglo-Irsh Literature (1982)
  • Harriet S. Chessman: "Women and Language in the Fiction of Elizabeth Bowen" in Twentieth Century Literature Vol. 29, No. 1 (1983)
  • Brad Hooper: "Elizabeth Bowen’s 'The Happy Autumn Fields': A Dream or Not?" in Studies in Short Fiction Vol. 21 (1984)
  • Margaret Scanlan: "Rumors of War: Elizabeth Bowen’s The Last September and J. G. Farrell’s Troubles in Éire-Ireland Vol. 20, Issue 2 (Summer 1985)
  • Phyllis Lassner: "The Past is a Burning Pattern: Elizabeth Bowen’s The Last September" in Éire-Ireland Vol. 21, Issue 1 (Spring 1986)
  • John Coates: "Elizabeth Bowen’s The Last September: The Loss of the Past and the Modern Consciousness" in Durham University Journal, Vol. LXXXII, No. 2 (1990)
  • Roy F. Foster: "The Irishness of Elizabeth Bowen" in Paddy & Mr Punch: Connections in Irish and English History (1993)
  • John Halperin: "The Good Tiger: Elizabeth Bowen" in Eminent Georgians: The Lives of King George V, Elizabeth Bowen, St. John Philby, and Nancy Astor (1995)
  • Declan Kiberd: "Elizabeth Bowen: The Dandy in Revolt" in Éibhear Walshe: Sex, Nation and Dissent in Irish Writing (1997)
  • Carmen Concilio: “Things that Do Speak in Elizabeth Bowen’s The Last September” in Moments of Moment: Aspects of the Literary Epiphany edited by Wim Tigges (1999)
  • Neil Corcoran: “Discovery of a Lack: History and Ellipsis in Elizabeth Bowen’s The Last September” in Irish University Review Vol. 31, No. 2 (2001)
  • Elizabeth Cullingford: "'Something Else': Gendering Onliness in Elizabeth Bowen's Early Fiction" in MFS Modern Fiction Studies Vol. 53, No. 2 (2007)
  • Elizabeth C. Inglesby: "'Expressive Objects': Elizabeth Bowen's Narrative Materializes" in MFS Modern Fiction Studies Vol. 53, No. 2 (2007)
  • Brook Miller: “The Impersonal Personal: Value, Voice, and Agency in Elizabeth Bowen's Literary and Social Criticism” in Modern Fiction Studies, Vol. 53, No. 2 (Summer 2007)
  • Sinéad Mooney: “Unstable Compounds: Bowen's Beckettian Affinities” in Modern Fiction Studies, Vol. 53, No. 2 (Summer 2007)
  • Victoria Stewart: "'That Eternal Now': Memory and Subjectivity in Elizabeth Bowen's Seven Winters" in MFS Modern Fiction Studies Vol. 53, No. 2 (2007)
  • Keri Walsh: "Elizabeth Bowen, Surrealist" in Éire-Ireland Vol. 42, No. 3-4 (2007)
  • Heather Bryant Jordan: "A Bequest of Her Own: The Reinvention of Elizabeth Bowen" in New Hibernia Review Vol. 12, No. 2 (2008)
  • Céline Magot: "Elizabeth Bowen’s London in The Heat of the Day: An Impression of the City in the Territory of War" in Literary London (2008)
  • Éibhear Walshe: "No abiding city." The Dublin Review No. 36 (2009)
  • Jessica Gildersleeve: "An Unnameable Thing: Spectral Shadows in Elizabeth Bowen’s The Hotel and The Last September" in Perforations
  • John D. Coates: "The Misfortunes of Eva Trout" in Essays in Criticism 48.1 (1998)
  • Patricia J. Smith: "'Everything to Dread from the Dispossessed': Changing Scenes and the End of the Modernist Heroine in Elizabeth Bowen's Eva Trout" in Hecate 35.1/2 (2009)
  • James F. Wurtz: "Elizabeth Bowen, Modernism, and the Spectre of Anglo-Ireland" in Estudios Irlandeses No. 5 (2010)
  • Patrick W. Moran: "Elizabeth Bowen's Toys and the Imperatives of Play" in Éire-Ireland Vol. 46, Issue 1&2 (Spring/Summer 2011)
  • Kathryn Johnson:"'Phantasmagoric Hinterlands': Adolescence and Anglo-Ireland in Elizabeth Bowen’s The House in Paris and The Death of the Heart" in Irish Women Writers: New Critical Perspectives, ed. Elke d’Hoker, et al. (2011)
  • Tina O’Toole: "Unregenerate Spirits: The Counter-Cultural Experiments of George Egerton and Elizabeth Bowen" in Irish Women Writers: New Critical Perspectives, ed. Elke d’Hoker, et al. (2011)

Read more about this topic:  Elizabeth Bowen

Famous quotes containing the words critical, essays and/or bowen:

    “The disaster ... is not the money, although the money will be missed. The disaster is the disrespect—this belief that the arts are dispensable, that they’re not critical to a culture’s existence.”
    —Twyla Tharp (b. 1941)

    “I undertake the same project as Montaigne, but with an aim contrary to his own: for he wrote his Essays only for others, and I write my reveries only for myself.”
    —Jean-Jacques Rousseau (1712–1778)

    “No one of the characters in my novels has originated, so far as I know, in real life. If anything, the contrary was the case: persons playing a part in my life—the first twenty years of it—had about them something semi-fictitious.”
    —Elizabeth Bowen (1899–1973)