Works
Among Siegel's many published works are:
- Self and World: An Explanation of Aesthetic Realism. About Self and World, Smithsonian magazine wrote: "Whether child or adult is spoken of, this book sees a person's concerns with dignity and compassion". (February, 1982)
- Hot Afternoons Have Been in Montana: Poems, a collection of poems nominated for a National Book Award in 1958. Regarding the title poem, poet William Carlos Williams wrote, "I say definitely that that single poem, out of a thousand others written in the past quarter century, secures our place in the cultural world". John Henry Faulk, speaking of the poems in this book, said on CBS radio, "Eli Siegel makes a man glad he's alive".
- Hail, American Development, containing 178 poems, including 32 translations—"all with the same incomparable sensibility at work saying things nobody else could say", wrote Kenneth Rexroth in the New York Times Book Review,; adding, " translations of Baudelaire and his commentaries on them rank him with the most understanding of the Baudelaire critics in any language". (23 March 1969)
- James and the Children: A Consideration of Henry James's "Turn of the Screw" and Goodbye Profit System: Update.
- Is Beauty the Making One of Opposites?, The Journal of Aesthetics and Art Criticism, Vol. XIV, No. 2, December 1955 (see Terrain Gallery.
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Famous quotes containing the word works:
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)
“Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.”
—Paul Valéry (1871–1945)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)