Elephants Dream - Plot and Explanation

Plot and Explanation

The movie was made mostly as an experiment, rather than to tell a certain story, and therefore has a strong arbitrary and surreal atmosphere. It features two men, Proog, who is older and more experienced, and Emo, who is young and nervous, living in a miraculous construction referred to only as "The Machine". Proog tries to introduce Emo to The Machine's nature but Emo is reluctant and argues about The Machine's purpose. The creators originally intended for the movie to show the abstraction of a computer.

Bassam Kurdali, Director of Elephants Dream, explained the plot of the movie by saying:

"The story is very simple—I'm not sure you can call it a complete story even—It is about how people create ideas/stories/fictions/social realities and communicate them or impose them on others. Thus Proog has created (in his head) the concept of a special place/machine, that he tries to "show" to Emo. When Emo doesn't accept his story, Proog becomes desperate and hits him. It's a parable of human relationships really—You can substitute many ideas (money, religion, social institutions, property) instead of Proog's machine—the story doesn't say that creating ideas is bad, just hints that it is better to share ideas than force them on others. There are lots of little clues/hints about this in the movie—many little things have a meaning—but we're not very "tight" with it, because we are hoping people will have their own ideas about the story, and make a new version of the movie. In this way (and others) we tie the story of the movie with the "open movie" idea."

The original title was to be Machina but was dropped due to pronunciation issues.

Read more about this topic:  Elephants Dream

Famous quotes containing the words plot and, plot and/or explanation:

    Trade and the streets ensnare us,
    Our bodies are weak and worn;
    We plot and corrupt each other,
    And we despoil the unborn.
    Ralph Waldo Emerson (1803–1882)

    Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.
    Jane Rule (b. 1931)

    Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called “silent poetry,” and poetry “speaking painting.” The laws of each art are convertible into the laws of every other.
    Ralph Waldo Emerson (1803–1882)