Eleanor Rigby - Historical Artefacts

Historical Artefacts

In the 1980s, a grave of an Eleanor Rigby was "discovered" in the graveyard of St. Peter's Parish Church in Woolton, Liverpool, and a few yards away from that, another tombstone with the last name McKenzie scrawled across it. During their teenage years, McCartney and Lennon spent time sunbathing there, within earshot of where the two had met for the first time during a fete in 1957. Many years later McCartney stated that the strange coincidence between reality and lyric could be a product of his subconscious, rather than being a meaningless fluke. An actual Eleanor Rigby was born in 1895 and lived in Liverpool, possibly in the suburb of Woolton, where she married a man named Thomas Woods. She died on 10 October 1939 at age 44. Whether this Eleanor was the inspiration for the song or not, her tombstone has become a landmark to Beatles fans visiting Liverpool. A digitised version was added to the 1995 music video for The Beatles' reunion song "Free as a Bird".

In June 1990, McCartney donated to Sunbeams Music Trust, a document dating from 1911 which had been signed by the 16-year-old Eleanor Rigby instantly attracting significant international interest from collectors because of the significance and provenance of the document. The nearly 100-year-old document was sold at auction in November 2008 for £115,000 ($250,000). The Daily Telegraph reported that the uncovered document "is a 97-year-old salary register from Liverpool City Hospital." The name E. Rigby is printed on the register, and she is identified as a scullery maid.

Read more about this topic:  Eleanor Rigby

Famous quotes containing the word historical:

    By contrast with history, evolution is an unconscious process. Another, and perhaps a better way of putting it would be to say that evolution is a natural process, history a human one.... Insofar as we treat man as a part of nature—for instance in a biological survey of evolution—we are precisely not treating him as a historical being. As a historically developing being, he is set over against nature, both as a knower and as a doer.
    Owen Barfield (b. 1898)