E.L.E. (Extinction Level Event): The Final World Front (or simply just E.L.E. for short) is the third studio album by American rapper Busta Rhymes released on December 15, 1998 by Flipmode and Elektra Records in North America. The album follows the apocalypse theme that was explored by Rhymes in his first two studio albums, The Coming (1996) and When Disaster Strikes (1997). Musically, the album is composed of East Coast, horrorcore, and hardcore hip hop music. Upon release, the album was widely praised by critics, and received three Grammy Award nominations for Best Rap Album, Best Rap Solo Performance and Best Rap Performance by a Duo or Group at the 42nd Grammy Awards. E.L.E. also spawned three singles that attained Billboard chart success, including the Janet Jackson-featuring "What's It Gonna Be?!", which became Rhymes' highest-charting single on the US Billboard Hot 100 as a lead artist, reaching number three. The album was certified Platinum by the Recording Industry Association of America for selling over one million copies.
Read more about E.L.E. (Extinction Level Event): The Final World Front: Critical Reception, Track Listing, Charting Singles
Famous quotes containing the words level, final and/or world:
“Those who profess contempt for men, and put them on a level with beasts, yet wish to be admired and believed by men, and contradict themselves by their own feelingstheir nature, which is stronger than all, convincing them of the greatness of man more forcibly than reason convinces them of his baseness.”
—Blaise Pascal (16231662)
“The white man regards the universe as a gigantic machine hurtling through time and space to its final destruction: individuals in it are but tiny organisms with private lives that lead to private deaths: personal power, success and fame are the absolute measures of values, the things to live for. This outlook on life divides the universe into a host of individual little entities which cannot help being in constant conflict thereby hastening the approach of the hour of their final destruction.”
—Policy statement, 1944, of the Youth League of the African National Congress. pt. 2, ch. 4, Fatima Meer, Higher than Hope (1988)
“Film is more than the twentieth-century art. Its another part of the twentieth-century mind. Its the world seen from inside. Weve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if theres anything about us more important than the fact that were constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)