Performance
The early performance history of the play is unknown. The first recorded performance occurred at the Blackfriars Theatre on 25 April 1635; and it was staged at Hampton Court Palace on 5 January 1637. The play was revived during Restoration era, like many other popular plays in the Fletcher canon; it was performed as early as Friday 23 November 1660, and Samuel Pepys saw it on 6 September 1661, but thought it "ill acted." The play remained in the repertory for years, and was a "principal old stock play" of the era.
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Famous quotes containing the word performance:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
“Just as the performance of the vilest and most wicked deeds requires spirit and talent, so even the greatest demand a certain insensitivity which under other circumstances we would call stupidity.”
—G.C. (Georg Christoph)
“So long as the source of our identity is external—vested in how others judge our performance at work, or how others judge our children’s performance, or how much money we make—we will find ourselves hopelessly flawed, forever short of the ideal.”
—Melinda M. Marshall (20th century)