Performance
The early performance history of the play is unknown. The first recorded performance occurred at the Blackfriars Theatre on 25 April 1635; and it was staged at Hampton Court Palace on 5 January 1637. The play was revived during Restoration era, like many other popular plays in the Fletcher canon; it was performed as early as Friday 23 November 1660, and Samuel Pepys saw it on 6 September 1661, but thought it "ill acted." The play remained in the repertory for years, and was a "principal old stock play" of the era.
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Famous quotes containing the word performance:
“The child to be concerned about is the one who is actively unhappy, [in school].... In the long run, a child’s emotional development has a far greater impact on his life than his school performance or the curriculum’s richness, so it is wise to do everything possible to change a situation in which a child is suffering excessively.”
—Dorothy H. Cohen (20th century)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
“They say all lovers swear more performance than they are able, and yet reserve an ability that they never perform; vowing more than the perfection of ten, and discharging less than the tenth part of one.”
—William Shakespeare (1564–1616)