Popular Culture
Stritch's voice and vocal delivery are spoofed in the Forbidden Broadway songs "The Ladies Who Screech" and "Stritch," parodies of "The Ladies Who Lunch" and "Zip", songs she performed in the musicals Company and Pal Joey. In 2009, a parody by Bats Langley entitled "How the Stritch Stole Christmas" (loosely based on "How the Grinch Stole Christmas") appeared on YouTube. On The Big Gay Sketch Show, she was spoofed as a Wal-Mart greeter who's still a theater gal at heart. ("I'm heeere. I'm still heeeerrre." "Here's to the ladies who shop... at Wal-Mart!") This draws inspiration from footage of D.A. Pennebaker's documentary film, Company: Original Cast Album, in which she says "I'm just screaming", self-critiquing during recording "The Ladies Who Lunch". The sketch also spoofs Elaine Stritch Live at Liberty in which she refers to her feat, as a young stage actress and understudy for Ethel Merman in Call Me Madam, where she had to check in with Merman at half hour to curtain in New York, then commute to Connecticut for the out of town tryout of Pal Joey, and on some days make the round trip twice when there was a matinee and evening performance of both shows. In a subsequent episode of The Big Gay Sketch Show, Stritch is spoofed as an airport security guard, who's still "on" and isn't able to tone down her over-the-top antics. In yet another episode, "Stritch" is promoting her self-titled perfume, "Stritchy" in dramatic fashion when she's confronted by the real-life Elaine Stritch, who makes a cameo appearance.
Read more about this topic: Elaine Stritch
Famous quotes containing the words popular culture, popular and/or culture:
“The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“But popular rage,
Hysterica passio dragged this quarry down.
None shared our guilt; nor did we play a part
Upon a painted stage when we devoured his heart.”
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“As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.”
—Stephen Bayley (b. 1951)