El Salvador - Culture

Culture

Mestizo culture dominates the country, heavy in both Native American Indigenous and European Spanish influences. A new composite population was formed as a result of intermarrying between the native Mesoamerican population of Cuzcatlán with the European settlers. The Catholic Church plays an important role in the Salvadoran culture. Archbishop Óscar Romero is a national hero for his role in resisting human rights violations that were occurring in the lead-up to the Salvadoran Civil War. Significant foreign personalities in El Salvador were the Jesuit priests and professors Ignacio Ellacuria, Ignacio Martín-Baró, and Segundo Montes, who were murdered in 1989 by the Salvadoran Army during the height of the civil war.

Painting, ceramics and textiles are the principal manual artistic mediums. Writers Francisco Gavidia (1863–1955), Salarrué (Salvador Salazar Arrué) (1899–1975), Claudia Lars, Alfredo Espino, Pedro Geoffroy Rivas, Manlio Argueta, José Roberto Cea, and poet Roque Dalton are among the most important writers from El Salvador. Notable 20th century personages include the late filmmaker Baltasar Polio, female film director Patricia Chica, artist Fernando Llort, and caricaturist Toño Salazar.

Amongst the more renowned representatives of the graphic arts are the painters Augusto Crespin, Noe Canjura, Carlos Cañas, Julia Díaz, Mauricio Mejia, Maria Elena Palomo de Mejia, Camilo Minero, Ricardo Carbonell, Roberto Huezo, Miguel Angel Cerna, (the painter and writer better known as MACLo), Esael Araujo, and many others. For more information on prominent citizens of El Salvador, check the List of Salvadorans.

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    The genius of American culture and its integrity comes from fidelity to the light. Plain as day, we say. Happy as the day is long. Early to bed, early to rise. American virtues are daylight virtues: honesty, integrity, plain speech. We say yes when we mean yes and no when we mean no, and all else comes from the evil one. America presumes innocence and even the right to happiness.
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    Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.
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