Culture
Mestizo culture dominates the country, heavy in both Native American Indigenous and European Spanish influences. A new composite population was formed as a result of intermarrying between the native Mesoamerican population of Cuzcatlán with the European settlers. The Catholic Church plays an important role in the Salvadoran culture. Archbishop Óscar Romero is a national hero for his role in resisting human rights violations that were occurring in the lead-up to the Salvadoran Civil War. Significant foreign personalities in El Salvador were the Jesuit priests and professors Ignacio Ellacuria, Ignacio Martín-Baró, and Segundo Montes, who were murdered in 1989 by the Salvadoran Army during the height of the civil war.
Painting, ceramics and textiles are the principal manual artistic mediums. Writers Francisco Gavidia (1863–1955), Salarrué (Salvador Salazar Arrué) (1899–1975), Claudia Lars, Alfredo Espino, Pedro Geoffroy Rivas, Manlio Argueta, José Roberto Cea, and poet Roque Dalton are among the most important writers from El Salvador. Notable 20th century personages include the late filmmaker Baltasar Polio, female film director Patricia Chica, artist Fernando Llort, and caricaturist Toño Salazar.
Amongst the more renowned representatives of the graphic arts are the painters Augusto Crespin, Noe Canjura, Carlos Cañas, Julia Díaz, Mauricio Mejia, Maria Elena Palomo de Mejia, Camilo Minero, Ricardo Carbonell, Roberto Huezo, Miguel Angel Cerna, (the painter and writer better known as MACLo), Esael Araujo, and many others. For more information on prominent citizens of El Salvador, check the List of Salvadorans.
Read more about this topic: El Salvador
Famous quotes containing the word culture:
“Popular culture is seductive; high culture is imperious.”
—Mason Cooley (b. 1927)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)
“The first time many women hold their tiny babies, they are apt to feel as clumsy and incompetent as any man. The difference is that our culture tells them they’re not supposed to feel that way. Our culture assumes that they will quickly learn how to be a mother, and that assumption rubs off on most women—so they learn.”
—Pamela Patrick Novotny (20th century)