Analysis
The most remarked characteristic by different comic book artists and members of the specialized press is the amplitude of subtle interpretations, veiled references and double readings (many being involuntary by the author) which can be made into the comic. Oesterheld himself, for instance, indicates that the protagonism of the work always befalls a group of people - sometimes bigger, sometimes smaller - something he terms a "group hero" or "hero-in-group" and which he considers more valuable than the traditional individual hero who triumphs without any help from others.
The most frequent commentary refers to the invaders and their methods as veiled references to the various military-led coup d’états which occurred at the time in the country. In this regard, the three versions written by Oesterheld (the first part, its remake and the second part) coincided with the de facto governments of Pedro Eugenio Aramburu, Juan Carlos Onganía and the Proceso de Reorganización Nacional respectively.
It has also been highlighted that, except for the "Ellos", none of the invaders are truly evil, they are but noble beings forced to comply the orders of others. This aspect has been cited as a critique of war in conceptual form or an allegory of class struggle.
Read more about this topic: El Eternauta
Famous quotes containing the word analysis:
“... the big courageous acts of life are those one never hears of and only suspects from having been through like experience. It takes real courage to do battle in the unspectacular task. We always listen for the applause of our co-workers. He is courageous who plods on, unlettered and unknown.... In the last analysis it is this courage, developing between man and his limitations, that brings success.”
—Alice Foote MacDougall (18671945)
“Analysis as an instrument of enlightenment and civilization is good, in so far as it shatters absurd convictions, acts as a solvent upon natural prejudices, and undermines authority; good, in other words, in that it sets free, refines, humanizes, makes slaves ripe for freedom. But it is bad, very bad, in so far as it stands in the way of action, cannot shape the vital forces, maims life at its roots. Analysis can be a very unappetizing affair, as much so as death.”
—Thomas Mann (18751955)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)