Eileen Farrell - Concert and Opera Career

Concert and Opera Career

During 1947–1948, she toured the US as a concert singer, and in 1949 she toured South America.

Farrell's song recital in New York in October 1950 was enthusiastically acclaimed and gained her immediate recognition. That year, she also appeared in a concert performance of Berg's Wozzeck as Marie. In 1952, she was engaged by Arturo Toscanini for his first and only studio recording of Beethoven's Ninth Symphony, with the NBC Symphony Orchestra.

In the 1955 film Interrupted Melody, which starred Eleanor Parker as Australian soprano Marjorie Lawrence, Eileen Farrell supplied the singing voice. As early as 1956 she appeared before an audience of over 13,000 under the direction of the conductor Alfredo Antonini in a performance of arias from Verdi's Ernani at the Lewisohn Stadium in New York City.

In 1956 she made her stage debut as Santuzza in Mascagni's Cavalleria rusticana with the San Carlo Opera in Tampa, Florida. In 1957 she debuted with the Lyric Opera of Chicago; in 1958, with the San Francisco Opera. She made her Metropolitan Opera debut on December 6, 1960, singing the title role in Gluck's Alceste. She opened the 1962–63 Met season as Maddalena in Giordano's Andrea Chénier, opposite Franco Corelli. She remained on the Met roster through the 1963–64 season, singing forty-four performance in six roles, then returned in March 1966 for two final performances as Maddalena. Her other roles at the Met included the title role in Ponchielli's La Gioconda, Leonora in Verdi's La forza del destino, Isabella in de Falla's Atlàntida, and Santuzza.

Farrell was equally at home singing pop material and opera. She made four Columbia albums of popular music: I've Got a Right to Sing the Blues, Here I Go Again, This Fling Called Love and Together with Love.

Throughout the 1960s she was a frequent soloist with the New York Philharmonic under the direction of Leonard Bernstein; she was also a favourite of Thomas Schippers. With Eugene Ormandy, the Philadelphia Orchestra, and the Mormon Tabernacle Choir, she was a featured soloist in an abridged recording of Handel's Messiah. The other featured soloists were Martha Lipton, Davis Cunningham and William Warfield.

From 1971 to 1980, Farrell was professor of music at the Indiana University School of Music in Bloomington. From 1983 to 1985, she was professor of music at the University of Maine in Orono. She also made several recordings of blues music late in her career, as well as a well-received duet with Frank Sinatra on his "Trilogy" album, in which they sang a version of the country music hit "For the Good Times". This introduced her to a new group of fans, especially Sinatra expert Charles Fasciano, who considered this song his personal favorite. She published a memoir, Can't Help Singing, in 1999.

Beginning in 1987 she began to record pop albums again. Her first was for the Audiophile label called With Much Love. She later recorded several albums for the Reference label that were well received.

Farrell was married to a NYPD officer, Robert Reagan, with whom she maintained homes in the Grymes Hill and Emerson Hill areas of Staten Island, NY. She was elected to Woonsocket's Hall of Fame. She died in March 2002, aged 82.

Read more about this topic:  Eileen Farrell

Famous quotes containing the words concert, opera and/or career:

    ... in the cities there are thousands of rolling stones like me. We are all alike; we have no ties, we know nobody, we own nothing. When one of us dies, they scarcely know where to bury him.... We have no house, no place, no people of our own. We live in the streets, in the parks, in the theatres. We sit in restaurants and concert halls and look about at the hundreds of our own kind and shudder.
    Willa Cather (1873–1947)

    Opera once was an important social instrument—especially in Italy. With Rossini and Verdi people were listening to opera together and having the same catharsis with the same story, the same moral dilemmas. They were holding hands in the darkness. That has gone. Now perhaps they are holding hands watching television.
    Luciano Berio (b. 1925)

    John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.
    Henry David Thoreau (1817–1862)