Edwin Lutyens - Gallery

Gallery

  • Anglo-Boer War Memorial, Johannesburg, South Africa

  • Britannic House, Finsbury Circus, London

  • British ambassador's residence, Washington D.C., U.S.A.

  • British Medical Association, Tavistock Square, London

  • Campion Hall, Oxford

  • Castle Drogo West Facade Main Entrance

  • Castle Drogo Chapel & Garden from North

  • Castle Drogo, Devon

  • Old City Hall Cenotaph, Toronto, Ontario

  • Cenotaph (Victoria) Victory Square, Vancouver Vancouver, British Columbia

  • Cenotaph (Montreal) Place du Canada Montreal, Quebec

  • Cenotaph (Saskatchewan) Victoria Park, Regina

  • Country Life Offices, Tavistock St., London

  • Free Church, Hampstead Garden Suburb

  • Daneshill Brick & Tile Company office, Basingstoke

  • Hampton Court Bridge

  • Hestercombe Gardens, Somerset, with Gertrude Jekyll

  • The India Gate, Delhi

  • Midland Bank Headquarters (former), Poultry, London

  • Midland Bank Building, King Street, Manchester

  • Nashdom, Taplow, South Buckinghamshire

  • 67-68 Pall Mall, London

  • Runnymede Bridge

  • St Jude's, Hampstead Garden Suburb

  • Memorial to the Missing of the Somme, Thiepval, France

  • Tower Hill Memorial, Trinity Square, London

  • Lutyens designed Broughton memorial lodge and pier Runnymede

  • War Memorial in the village of Mells

  • War Memorial, Victoria Park, Leicester

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Famous quotes containing the word gallery:

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)

    “Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
    —Henry David Thoreau (1817–1862)