Edwin Howard Armstrong - Legacy

Legacy

It took decades following Armstrong's death for FM broadcasting to meet and surpass the saturation of the AM band, and longer still for FM radio to become profitable for broadcasters. Two developments made a difference in the 1960s. One was the development of true stereophonic broadcasting on FM by General Electric, which resulted in the approval of an FM stereo broadcast standard by the FCC in 1961, and the conversion of hundreds of stations to stereo within a few years.

The other was an FCC rulemaking in 1966 that required broadcasters who owned both full-time AM stations and FM properties in the same city to program each of them with separate programming during a majority of the day. This meant FM no longer just simulcast AM with better sound quality, but offered unique program choices expanding what listeners could hear. Programmers took advantage by turning their FM stations into venues for formats from country to progressive rock to jazz and classical music, all with the enhanced quality that stereo sound could bring. For example, some AM stations paused Sunday morning music programming for religious voicetracks by ministers. Sister stations on FM continued the music programming.

Within a few years a majority of households were FM equipped, by the 1980s a majority of cars sold had FM stereo radios and a majority of listening in the U.S. was devoted to FM signals according to the Arbitron rating service. The stereo sound revolution, followed by the programming revolution, accomplished what cleaner and crisper sound alone was unable to achieve, and made FM radio a permanent and important part of the communications landscape.

Armstrong was of the opinion that anyone who had actual contact with the development of radio understood that the radio art was the product of experiment and work based on physical reasoning, rather than on the mathematicians' calculations and formulae (known today as part of "mathematical physics"). His work, as important as it was in its own right, was a part of a continuum of progress in communications and electronics that since his time has brought forward color television, the personal computer, the Internet, cable and satellite radio and TV, personal mobile phones, audio, video and computing, digital stereo radio on both the medium wave and VHF-FM bands, and digital high definition television on VHF, UHF, cable and satellite. Armstrong's FM system was used for communications between NASA and the Apollo program astronauts.

After her husband's death, Marion Armstrong became extraordinarily wealthy as a result of successful FM patent litigation against RCA and other companies. Mr. Dana Raymond of Cravath, Swain & Moore in New York served as her counsel in that litigation.

In 1984 Robert Mondlock copyrighted an original screenplay about Armstrong's life titled "High Fidelity".