In Popular Culture
Edward is depicted as the central saint of the Wilton Diptych (c. 1395–99), a devotional piece made for Richard II, but now in the collection of the National Gallery. The reverse of the piece carries Edward's arms; and Richard's badge of a white hart. The panel painting dates from the end of the 14th century.
In Act 3, Scene VI of Shakespeare's Macbeth (c. 1603–06) Lennox refers to Edward as "the most pious Edward," and in Act 4, Scene III, Malcolm describes his powers of healing those afflicted with "the evil", or scrofula.
He is the central figure in Alfred Duggan's 1960 historical novel The Cunning of the Dove.
He is featured in Sara Douglass' novel God's Concubine.
On screen he has been portrayed by Eduard Franz in the film Lady Godiva of Coventry (1955), George Howe in the BBC TV drama series Hereward the Wake (1965), Donald Eccles in the two-part BBC TV play Conquest (1966; part of the series Theatre 625), Brian Blessed in Macbeth (1997), based on the Shakespeare play (although he does not appear in the play itself), and Adam Woodroffe in an episode of the British TV series Historyonics entitled "1066" (2004). In 2002, he was portrayed by Lennox Greaves in the Doctor Who audio adventure Seasons of Fear.
Read more about this topic: Edward The Confessor
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“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
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“What culture lacks is the taste for anonymous, innumerable germination. Culture is smitten with counting and measuring; it feels out of place and uncomfortable with the innumerable; its efforts tend, on the contrary, to limit the numbers in all domains; it tries to count on its fingers.”
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