Gallery
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"Landscape with Avenue of Trees," a painting by Steichen, 1902
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Portrait of Auguste Rodin by Steichen, 1902
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The cover of Camera Work, showing Steichen's design and custom typeface. Also, in this specific issue, Issue 2, the entire volume was devoted to Steichen's photographs.
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"Self-portrait", by Edward Steichen. Published in Camera Work No 2, 1903
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Portrait of J.P. Morgan, taken in 1903
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The Flatiron Building in a photograph of 1904, taken by Steichen.
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"Experiment in Three-Color Photography," by Steichen, published in Camera Work No 15, 1906
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"Pastoral – Moonlight," by Steichen, published in Camera Work No 20, 1907
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"Eugene, Stieglitz, Kühn and Steichen Admiring the Work of Eugene," by Frank Eugene from 1907. From left to right are Eugene, Alfred Stieglitz, Heinrich Kühn, and Steichen.
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Picture by Steichen of Brâncuşi's studio, 1920
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Portrait of Constantin Brâncuşi, taken at Steichen's home & studio at Voulangis, in 1922.
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"Wind Fire." Thérèse Duncan, the adopted daughter of Isadora Duncan, dancing at the Acropolis of Athens, 1921, by Steichen.
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"Aircraft of Carrier Air Group 16 return to the USS Lexington (CV-16) during the Gilberts operation, November 1943." Photographed by Commander Edward Steichen, USNR.
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Cmdr Edward Steichen photographed above the deck of the aircraft carrier USS Lexington (CV-16) by Ens Victor Jorgensen, November 1943.
Read more about this topic: Edward Steichen
Famous quotes containing the word gallery:
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)
“To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
—Thomas Henry Huxley (182595)