Edward German

Edward German

Sir Edward German (17 February 1862 – 11 November 1936) was an English musician and composer of Welsh descent, best remembered for his extensive output of incidental music for the stage and as a successor to Arthur Sullivan in the field of English comic opera.

As a youth, German played the violin and led the town orchestra, also beginning to compose music. While performing and teaching violin at the Royal Academy of Music, German began to build a career as a composer in the mid-1880s, writing serious music as well as light opera. In 1888, he became music director of Globe Theatre in London, also providing popular incidental music for many of its productions and those of other London theatres, including Richard III (1889), Henry VIII (1892) and Nell Gwynn (1900). He also wrote symphonies, orchestral suites, symphonic poems and other works. He also wrote a considerable body of songs and piano music, as well as symphonic suites and other concert music, of which his Welsh Rhapsody (1904) is perhaps best known.

German was engaged to finish The Emerald Isle after the death of Arthur Sullivan in 1900, the success of which led to more comic operas, including German's popular Merrie England (1902) and Tom Jones (1907). He also wrote the Just So Song Book in 1903 to Rudyard Kipling's texts and continued to write orchestral music. German wrote little new music of his own after 1912 but continued to conduct until 1928, the year in which he was knighted.

Read more about Edward German:  Life and Career, Analysis, Edward German Festival

Famous quotes containing the words edward and/or german:

    Let’s go somewhere where we can be alone. Ah, there doesn’t seem to be anyone on this couch.
    Irving Brecher, U.S. screenwriter, and Edward Buzzell. S. Quentin Quale (Groucho Marx)

    Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.
    Friedrich Nietzsche (1844–1900)