Work
Brongersma published extensively on a wide variety of topics, authoring some 1200 books and articles between 1930 and 1998 on social and philosophical subjects such as criminal law, constitutional law, criminology, philosophy, religion, sexuology, legislation on public morals and literary topics. Able to read ten West-European languages, he has written books on the Civil War in Spain, Portugal and the Portuguese, penal law and social problems. Beginning with his years at the Criminological Institute, he has written extensively in the area of sexuology, especially on pornography, ephebophilia, pedophilia and the age of consent. His books on this subjects include: Das Verfehmte Geschlecht (in German, 1970), Sex en Straf ("Sex and Punishment", 1972), Over pedofielen en kinderlokkers ("On Pedophiles and Child Molesters", 1975), and his last work is his magnum opus and entitled Loving Boys (two volumes, 1988–1990).
Brongersma's work and activism regarding pedophilia focussed exclusively on homosexual pedophilia between males and admitted several times that he knew little or nothing about heterosexual or lesbian pedophila. Brongersma opposed the other prominent figure in the 1970s pedophile emancipation movement in the Netherlands, psychologist Frits Bernard, who considered pedophilia not pathological irrespective of the gender of the participants.
Read more about this topic: Edward Brongersma
Famous quotes containing the word work:
“He will not idly dance at his work who has wood to cut and cord before nightfall in the short days of winter; but every stroke will be husbanded, and ring soberly through the wood; and so will the strokes of that scholar’s pen, which at evening record the story of the day, ring soberly, yet cheerily, on the ear of the reader, long after the echoes of his axe have died away.”
—Henry David Thoreau (1817–1862)
“All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.”
—Marcel Duchamp (1887–1968)
“What saved me then? Nothing but pregnancy. And each time after I had given birth to my work my life hung suspended by a thin thread.”
—Friedrich Nietzsche (1844–1900)