Contribution To The Cinema
In the late 1960s/early 1970s Bond also made some contributions to the cinema. He wrote an adaptation of Nabokov's Laughter in the Dark (1968, dir. Tony Richardson) and the aborigine drama Walkabout (1971, dir. Nicolas Roeg); as well as contributing dialogue to Blowup (1966, dir. Michelangelo Antonioni) and Nicholas and Alexandra (1971, dir. Franklin J. Schaffner). Except for Antonioni's Blowup, his contribution to which is contested, Bond himself considered these works strictly as potboilers and often became frustrated when further involved in cinema projects.
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Famous quotes containing the words contribution to the, contribution to, contribution and/or cinema:
“All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.”
—Marcel Duchamp (1887–1968)
“Sometimes I think that idlers seem to be a special class for whom nothing can be planned, plead as one will with them—their only contribution to the human family is to warm a seat at the common table.”
—F. Scott Fitzgerald (1896–1940)
“Sometimes I think that idlers seem to be a special class for whom nothing can be planned, plead as one will with them—their only contribution to the human family is to warm a seat at the common table.”
—F. Scott Fitzgerald (1896–1940)
“Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.”
—John Berger (b. 1926)