Eduardo Galeano - Works

Works

"Fleas dream of buying themselves a dog, and nobodies dream of escaping poverty: that, one magical day, good luck will suddenly rain down on them - will rain down in buckets. But good luck doesn’t rain down, yesterday, today, tomorrow or ever. Good luck doesn’t even fall in a fine drizzle, no matter how hard the nobodies summon it, even if their left hand is tickling, or if they begin the new day on their right foot, or start the new year with a change of brooms. The nobodies: nobody’s children, owners of nothing. The nobodies: the no-ones, the nobodied, running like rabbits, dying through life, screwed every which way. Who are not, but could be. Who don’t speak languages, but dialects. Who don’t have religions, but superstitions. Who don’t create art, but handicrafts. Who don’t have culture, but folklore. Who are not human beings, but human resources. Who do not have faces, but arms. Who do not have names, but numbers. Who do not appear in the history of the world, but in the crime reports of the local paper. The nobodies, who are not worth the bullet that kills them."

Eduardo Galeano, "The Nobodies"

Las venas abiertas de América Latina (Open Veins of Latin America) is arguably Galeano's best-known work. In this book, he analyzes the history of Latin America as a whole from the time period of European contact with the New World to contemporary Latin America arguing against the European and later U.S. economic exploitation and political dominance over the region. It was the first of his many books to be translated by Cedric Belfrage into English. It is a classic among scholars of Latin American history. The book gained popularity in the English-speaking world after the Venezuelan President Hugo Chavez gave it as a gift to the American President Barack Obama.

Memoria del fuego (Memory of Fire) is a three-volume narrative of the history of America, North and South. The characters are historical figures; generals, artists, revolutionaries, workers, conquerors and the conquered, who are portrayed in brief episodes which reflect the colonial history of the continent. It starts with pre-Columbian creation myths and ends in the 1980s. It highlights not only the colonial oppression that the continent underwent but particularly the long history of resistance, from individual acts of heroism to mass revolutionary movements.

Memoria del fuego is widely praised by reviewers. Galeano was compared to John Dos Passos and Gabriel García Márquez. Ronald Wright wrote in the Times Literary Supplement: "Great writers... dissolve old genres and found new ones. This trilogy by one of South America's most daring and accomplished authors is impossible to classify."

In New York Times Book Review Jay Parini praised as perhaps his most daring work The Book of Embraces, a collection of short, often lyrical stories presenting Galeano's views on emotion, art, politics, and values, as well as offering a scathing critique of modern capitalistic society and views on an ideal society and mindset. (The Book of Embraces was the last book Cedric Belfrage translated before he died in 1991.)

Galeano is also an avid soccer fan; in his childhood, Galeano had the dream of becoming a soccer player and this desire is the subject of some of his writings, among them Soccer in Sun and Shadow (1995), a review of the history of the game. Galeano compares it with a theater performance and with war; he criticizes its unholy alliance with global corporations but attacks leftist intellectuals who reject the game and its attraction to the broad masses for ideological reasons.

Galeano's Espejos (Mirrors) is Galeano's most expansive work since Memory of Fire. Galeano offers a broad mosaic of history told through the voices of the unseen, unheard, and forgotten. Recalling the lives of artists, writers, gods and visionaries, Galeano's makes "lore out of the mass of history and stories that make this world, and make us human." (Rick Simonson) Mirrors was published in the US in English by Nation Books in June 2009.

Galeano is a regular contributor to The Progressive and the New Internationalist, and has also been published in the Monthly Review and The Nation.

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