Edna Ferber - Works

Works

  • Dawn O'Hara (1911)
  • Buttered Side Down (1912)
  • Roast Beef, Medium (Frederick A. Stokes Company, 1913)
  • Personality Plus (1914)
  • Emma Mc Chesney and Co. (1915)
  • Our Mrs. McChesney (1915) (with George V. Hobart)
  • Fanny Herself (1917)
  • Cheerful – By Request (1918)
  • Half Portions (1919)
  • The Girls (Edna Ferber novel) (1921)
  • Gigolo (1922)
  • So Big (1924) (won Pulitzer Prize)
  • Minick: A Play (1924) (with G. S. Kaufman)
  • Show Boat (1926, Grosset & Dunlap)
  • Stage Door (1926) (with G.S. Kaufman)
  • The Royal Family (1927) (with G. S. Kaufman)
  • Cimarron (1929)
  • American Beauty (1931)
  • Dinner at Eight (1932) (with G. S. Kaufman)
  • They Brought Their Women (1933)
  • Come and Get It (1935)
  • Nobody's in Town (1938)
  • A Peculiar Treasure (1939)
  • The Land Is Bright (1941)
  • Saratoga Trunk (1941)
  • No Room at the Inn (1941)
  • Great Son (1945)
  • Saratoga Trunk (1945) (with Casey Robinson)
  • Bravo (1949) (with G. S. Kaufman)
  • Giant (1952)
  • Ice Palace (1958)
  • A Kind of Magic (1963)

Musicals adapted from Ferber novels:

  • Show Boat (1927) – music by Jerome Kern, lyrics and book by Oscar Hammerstein II, produced by Florenz Ziegfeld
  • Saratoga (musical) (1959) – music by Harold Arlen, lyrics by Johnny Mercer, dramatized by Morton DaCosta
  • Giant (2009) – music and lyrics by Michael John LaChiusa, book by Sybille Pearson

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Famous quotes containing the word works:

    Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.
    Rebecca West (1892–1983)

    The noble simplicity in the works of nature only too often originates in the noble shortsightedness of him who observes it.
    —G.C. (Georg Christoph)

    The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.
    William James (1842–1910)